Glorious purpose indeed.
Well, it’s happened again. A work of fiction had a strong start and then devolved into lousy material.
First off, obviously, spoilers for the Loki 2021 series as well as the general MCU films and shows up to now. You’ve been warned.
To give you some background, I actually wasn’t a Loki fan until far later in the game. I paid him no mind in the first Thor, enjoyed him in Avengers, and then slowly over the time between Thor: The Dark World and Ragnarok, Loki slithered his way into my heart. It’s not as if I think he’s the best character in the MCU or anything, but I adore him. He’s a shitlord. He’s so extra. He’s the embodiment of chaos. He managed to charm me and make me care about him, even becoming a sort of anchor character for me in my fanfiction writing sessions. Naturally, I was quite excited when they announced he’d been given a spinoff series after the events of Avengers: Endgame. I wanted to see Tom Hiddleston continue to shine in the role, even if it was just going to be for a brief extra story for us to enjoy.
And that’s how it started off.
Episodes 1 & 2 of Loki (2021) contain the content that I’d hoped for. We got to see Loki at the end of his rope, but in a different sense than his fate in Infinity War. He was thrown into an organization he knew nothing about and without his powers. He had to figure out how to survive without any hope of outside help, which we know he’s done before. It gave us some nice introspective moments, showed us he was human, showed us vulnerable bits to his character. We also got to see plenty of his faults and shortcomings, all of which was fun and interesting.
And then Sylvie showed up.
And as soon as she did, my enjoyment of the show pretty much evaporated.
ICYMI, Sylvie is a Loki variant who was caught by the Time Variance Authority at a young age, but she managed to (easily, so easily it was insulting) escape and hide in apocalypses her entire life plotting how to destroy the TVA for kidnapping her and removing her from her own timeline. Now, granted, on paper, that backstory is okay-ish, but Sylvie is my newest entry on the exhaustingly long list of fictional characters who suffer from what I call White Bitch Syndrome.
Now, I still plan to write a full essay on White Bitch Syndrome, but let me do a short definition here. White Bitch Syndrome is when a female character—and most of the time, she is white and blonde—in a work of fiction is given undeserved credit and disrupts the dynamic of whatever work of fiction she is in, causing negative consequences for those around her but never having to suffer those same consequences herself. To me, she is almost a subversion of a Mary Sue. She takes valuable screentime away from other far more interesting and well-written characters and does all of it with a sense of entitlement that makes me want to pull my hair out.
And that’s exactly what Sylvie is.
I cannot fathom what made the writing team for Loki decide that they should give 60% of Loki’s screentime to this snotty, entitled, obnoxious Loki variant. As soon as episode three hits, she completely co-ops Loki’s show to make it all about her.
And here’s the kicker: she’s not even interesting.
It’s a bait-and-switch. I came here for Loki (or Tom Hiddleston, depends on who you ask) and what did you do? You found the world’s most irritating white woman and gave her his show. This isn’t why I came here. At all. So not only did you give me something I don’t want, you didn’t bother to make her likable or even just interesting in general. The rules of writing, at least in my mind, are to make main protagonists in a work either likable or interesting. Sylvie is neither. She is such a borderline Mary Sue. She’s stronger, smarter, more powerful than everyone around her, she constantly shoots her mouth off to disparage Loki and the other characters, she thinks she’s better than everyone and the writing of the show seems to agree, and she makes EVERYTHING about her every second she’s on screen. It’s insufferable.
But that’s not the worst part.
What truly broke me was episode 4. I had to put up with this snotty character, fine, okay, as long as maybe I get some good Loki content with what little screentime he has left after she’s sucked it all up. No. It had to get worse. The show then states—after only one and a half episodes of interactions—that Loki has a crush on Sylvie/is attached to her.
Seriously?
He’s known her for like five minutes.
What the hell do you mean he likes her?
This element of Loki (2021) is what switched me from disliking it to outright hating it. Anyone who knows me knows that I hate it when fiction generates attachment between two characters without doing the leg work first. There are few things I hate as much as when characters barely interact and then the fiction states that now they’re in love or best friends or care about each other when there is little evidence in the work itself. Loki and Sylvie spent the entire third episode hating one another. The dynamic comes across like a brother and sister who can’t stand each other being stuck in the same place, having to make nice. Then the show just decides Loki is into her, despite no evidence, despite limited screen time, despite Sylvie showing no regard or concern for him at all. It comes across as the show telling us “this is a thing because I said so.”
And that’s not good enough.
Look, I know I’m biased. I’m attached to Loki and I don’t like blonde white women in fiction because of repeated instances of White Bitch Syndrome. But this isn’t jealousy. This is lousy writing. It is lousy of them to stuff this character into the narrative to take the focus away from Loki and it’s lousy of them to have Loki inexplicably have some sort of attachment to her when the evidence points to the opposite. He should simply be using her to get what he wants, but instead they have him following after her like a helpless puppy because her Super Special Awesome Powers are so much better than his and he can’t do anything on his own. They took a show with a unique premise and made a hard left, instead making it a platform for “ooh, look at this cool white girl” instead of keeping the focus on Loki trying to survive the TVA and destroy it. Loki honestly had more chemistry and attachment to Valkyrie–who soundly beat his ass and later begrudgingly tolerated him because they needed to stop Hela–than with Sylvie. I would believe he was into Valkyrie before I’d ever believe he was into Sylvie.
For me in particular, this is unacceptable because it just feels like Sylvie is nothing more than a vehicle for the white fangirls to imagine themselves into Loki’s story. It’s no secret that Loki’s fandom is majority female and I imagine it’s largely white women. Sylvie is a transparent Audience Surrogate Mary Sue-adjacent character designed to make said fangirls feel like they have a personal connection to Loki. They can easily see themselves as Sylvie and it seems to be the only real reason she was written into the story. If she had been properly written, she would have just remained a tangential antagonist either getting in Loki’s way or preventing him from reaching whatever goal he has for himself. There was no reason to write a forced wannabe romance into the story. It’s so unearned and unnecessary.
Alright, so I’ve made my case for why Sylvie sucks. Let’s pretend for a moment that I didn’t hate her with the fire of a thousand suns. That’s not the show’s only problem. Another reason why Loki (2021) began to tank for me is that Loki has almost no agency after the end of the second episode. The second he starts following Sylvie around, the show seems to forget this is a thousand-year-old demigod with magical powers and a wealth of schemes and plans. Everything from episode 3 onward has Loki little more than a doofus who likes to run his mouth. We don’t get to see any of that calculating intelligence that made us love Loki in his previous films and appearances. He’s not doing anything. He’s just stumbling from one place to the next utterly failing and not affecting change nor the plot itself. I fear part of the problem is that the writing staff took too much from Thor: Ragnarok without understanding that the film, while a comedy, also knew how to write a balanced Loki. We know Loki is capable of making mistakes, but the ones he commits in this show are egregious. It’s not organic to the character. It feels as if they are trying to emulate Ragnarok without allowing Loki the same agency and behaviors that made him so lovable in the first place. Think about it. Loki tricked Thor into thinking he was dead and impersonated Odin convincingly (or so we’re assuming, since we don’t catch up to him until 2017, which is 4 years after Thor: The Dark World) for entire years without anyone catching him. He then lands on Sakaar after Hela attacks and manages to worm his way into the Grandmaster’s good graces in only a matter of weeks. Loki has been an effective antagonist and part time protagonist for several films, which is why he’s been so popular. I don’t understand why they have written him completely bumbling and ineffective in this series after the halfway point in the story. In Fish Out of Water stories, you still need to have the protagonist affecting change and making important decisions that affect the plot and develop them as characters. He’s not learning anything, he’s not changing, he’s not growing. He’s stuck in the passenger’s seat while Sylvie drives the car off the cliff.
Speaking of unearned nonsense, this whole “friendship” between Mobius and Loki also annoys me. It’s like I’m not watching the same show. When did they become “friends”? Do they not know what that means? Presumably, Mobius and Loki spent several hours together investigating the Loki variant and while I actually quite like their banter, they too were not with each other long enough to consider each other friends. I don’t like it when fiction drops the F-word (friend, of course) unwarranted and this is another example. Mobius and Loki were at most colleagues. They were only together for two and a half episodes and then for a short bit in episode 4. The show yet again did not do the leg work but then handed us this forced claim of friendship when they’ve really just been enemies temporarily on the same side. I do think aspects of the relationship work, just not enough for the show to claim that now they are magically friends. It’s less of an eyesore than the claim that Loki likes Sylvie, but it’s still poorly written and has little evidence to back it up.
Another aspect of the show that bothers the hell out of me is they introduce Hunter B-15 and Judge Renslayer as powerful, competent women…and then sideline them. Hunter B-15 becomes Sylvie’s lackey after Sylvie’s enchantment caused her to remember her life before the TVA erased her memory. Hunter B-15 was introduced to us in a spectacular fashion, bitchslapping Loki and being an incredible force to be reckoned with. I remember being so excited to see a dark-skinned black woman on the Loki posters, hoping for more representation, and yet they’ve done what too many shows and movies have done with black women—forced them to be in the shadow of their white counterparts. Judge Renslayer is even more of a letdown that B-15. She is introduced as smart and coldly calculating, but then Mary Sue Sylvie EASILY beats her in combat and she’s turned into a mugging, desperate mess instead of someone who was ruling an entire organization with an iron fist for God-knows how long. It was fine for Renslayer to be off-balance finding out the Timekeepers weren’t real. What wasn’t fine was a white blonde woman domineering over a black woman who previously held authority. Renslayer presided over the TVA…and that’s the best she can do? Stall, lie, and babble in front of Sylvie? It’s so painfully obvious that the show wants to keep kissing Sylvie’s ass and insisting she’s the most powerful Loki of all and they sacrificed any potential greatness for Renslayer as a result. I don’t mind Renslayer turning out to be bad; she wasn’t giving off any other impression in the first place. What I do mind is having this white woman just sling her around like it’s nothing when Renslayer should be far more effective than that considering she’s been the boss for presumably years and years. Why the hell was she leading the TVA if she can’t even handle this one variant?
This issue in particular burns me up because while Marvel has been doing a really good job introducing people of color into the lineup and giving them agency, there has also been this trend of what I like to call checkmark diversity. This is when shows or movies include POC in a work as supporting characters in order to check off the diversity box, but they’re not actually giving these POC much to do. They are constantly overshadowed by the white characters instead. The show gets to claim they’re progressive and diverse, but when you look at the POC’s storylines and interactions, you actually don’t end up with anything other than window dressing. I can tell you several different ideas I had for what would become of Hunter B-15 and Renslayer, but none of those came to fruition. The focus remained on the three central white characters: Loki, Sylvie, and Mobius. We know for a fact that the MCU can write excellent black characters like Sam Wilson, Monica Rambeau, and Luke Cage. It’s a damn shame to have two enjoyable black women on this show and they’re just there to fill in a checkbox. It’s especially sad since I’ve seen some behind the scenes bits with the actresses and Tom Hiddleston and they get along wonderfully. It’s truly adorable seeing some of their interactions, so for the show to have them both end up doormats to the white leads is an utter disappointment for me personally as a black fangirl.
At the time of this post, there is still the Loki finale to be watched. Honestly, though, I have no hopes for it any longer. I had hoped that with the plot of episode 5 being Loki in what is basically Purgatory with other versions of himself that we’d get the focus back on him and his desires, but no. Sylvie finds him in like 10 minutes of screentime and goes right to making everything about her, fulfilling her White Bitch Syndrome duties and securing herself as a Mary Sue-adjacent character. I’m tired. I will watch the finale, but I’m expecting it to be just as disappointing as it’s been since the halfway point in the series.
It hurts me to say these things. I’ve written a metric ton of Loki/MCU fanfiction. I truly enjoy his character. I cried like a baby when he died in Infinity War. I really like him, but this show stupidly managed to take from him rather than give him more things, ironically enough. It’s not yet to a point where I declare it Discontinuity, but I am unfortunately not going to be really be taking anything away from this series. I’m probably going to ignore it and go back to my Denial Land of fanfiction instead.
My final point is that Loki (2021) is a cautionary tale because of its utterly squandered potential. The show’s trailers promised lots of things that looked amazing, but then once you pull off the cloak, all you get is a snotty OC and a very diminished, borderline derivative version of Loki. I am far more satisfied with the canon timeline Loki than with this Loki variant, which is a shame. I’m not to a point that I wouldn’t recommend the show, but of the MCU shows, Loki is certainly the weakest. It doesn’t live up to what it promised because of the writers’ inexplicable decision to give away his screentime to an entitled bratty character with, and this is just personal taste, a substandard actress with a grating performance. The lesson to be learned from this is that you have to know what you’re going after when you set off on a side story. The overall consequences of Loki have yet to be seen, but the implication is that the timeline is going to be destabilized and will then set off the Multiverse of Madness that will be addressed in Spider-Man 3: No Way Home and in Doctor Strange: Multiverse of Madness. That being said, I don’t think this show is strong enough to warrant anyone other than die-hard Loki fans a watch. I am open to the thought that maybe the finale will redeem the show, but it’s doubtful based on the evidence I currently have. More than likely, it’s going to go out on a whimper and not a bang and the romantic red string the writers forced around Loki’s neck is going to strangle him same as Thanos did.
I hope I’m wrong.
But I’m probably not.
Here’s to the multiverse. At least it has a version of Loki that’s not a disappointment.
