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Things National Novel Writing Month Taught Me About Writing


Holy crap. It’s November. NaNoWriMo is here. HEAD FOR THE HILLS.

Ha, that was a joke. You’re not going anywhere, writers. I’ve chained you by the ankles and now you have to sit and listen as Grand Master Kyoko tells you about NaNoWriMo and why you should be doing it.

For those who don’t know, NaNoWriMo is short for National Novel Writing Month. It’s a competition in which we write a novel in a month, starting on November 1st and ending on November 30th of every year. What do you win? A cool little button from the official website and eternal bragging rights.

Now, if you’re not a writer, you might be thinking, big deal, it’s just a novel. Uh, no, newbie, let me shut you up right there. It’s not a book. You have to write exactly 50,000 words in thirty days. And no, John Bender, I don’t mean the same word repeated 50,000 times. You’ve read a novel before. That entire story typically takes a writer between four and eight months, depending on what level they’re on. And they are expected to do that within thirty days so you had damn well better respect it before I box you upside the ears.

Back to you, writers. As it says on most of my author profiles, I participated in NaNoWriMo in 2011 and actually completed it. But I’m not trying to brag when I mention it—I’m trying to add some authenticity to this post. That crazy, painful month taught me a lot and I’d like to share it with you to give you encouragement on your first day of writing.

Writing is f@#king hard. Now, granted, you already know this, authors, but trust me, NaNoWriMo is going to enforce it like a bouncer outside of a sexy night club. You’re going to feel like Judge Doom at the end of Who Framed Roger Rabbit—flattened while you flailed and screamed in a high-pitched voice. It’s hard enough to pound out 50,000 words a year for a paycheck (or for nothing if you’re an indie author like me hahaha it hurts to laugh), but cramming all of that process into a month is going to make you want to eat a bullet. But you’re not going to do that. Tuck in your skirt, lady.

Writing is hard because it’s worth it. You’re going to have days when you write the full 2,000 word a day quota, and then you’ll have days when you write two sentences and then eat a bucket of Americone Dream while sobbing that you are a total failure. You’re going to struggle over character motivations and action sequences and witty one liners and it’s going to suck. You’re going to stare at the clock and wonder how you ever thought this was a good idea. You’re going to curse God and try to make a deal with Lucifer in order to inspire you to reach that finish line.

And you know what?

That’s a good thing.

It’s all about pacing yourself. This is also a concept that is infinitely hard for writers because the creative process isn’t like the scientific method. There isn’t a quota or a calculation to writing. There is no formula. It’s all free ideas flowing constantly through your brain and your soul. It comes and goes. But you don’t have time for that hippie stuff when you only have a month to write a full on novel. What NaNoWriMo taught me is to simply let go: let go of the perfect dialogue, the flawless landscape of the plot, the meticulous character details, all of it. NaNoWriMo is all about raw materials. A diamond isn’t beautiful until it’s polished, but it’s still a diamond. No one said you had to pull it fully cut out of the ground—you simply have to dig for it and you’re there. Your draft is going to be total garbage at first, but that’s the entire point. NaNoWriMo is dumpster-diving, plain and simple. You learn to dig through different piles each and every day. You’ll find some yucky stuff and toss it aside, but you’ll also find buried treasures that you never thought you could find.

There are also plenty of resources to help you with pacing yourself each day. To total up to 50,000 words in a month, you basically have to write 2,000 words a day, but that’s rounding up. There is an exact number of words (around 1,600 or so), but I think it’s healthier to aim for 2,000 because then if you fall short one day, you’ll still be ahead by a little bit. That way, if you have a long day at work and you don’t have time to write, you can realistically catch up.

Let go of your inner perfectionist. I feel like such a hypocrite saying this, but it’s definitely a hard lesson that NaNoWriMo taught me. I get my perfectionist habits from my parents—a business consultant who is working on his Ph.D and a registered nurse who works in case management, respectively—and they aren’t easy to kick. I take it ten times more seriously in my writing than in my real life, too. I obsess over every single word and where it is and how it’s phrased and how I can make it so perfect that publishers will bang down my doors and filmmakers will run up to me begging to make my book into a movie so that I can finally achieve my dream of meeting Nathan Fillion and marrying him and oh wait I lost my point back there, didn’t I? Ahem. I fret over my own writing day and night. I think I’m substandard. I weep that I’m not Jim Butcher. I read my favorite novels over and over in vain attempts to soak up their greatness and squeeze it back out over my own manuscript.

But you can’t do that in a month.

A month gives you enough time to map out where you want to go and then you just trail-blaze, like Miguel and Tulio. Don’t stop for all the little stuff. You have words to write. It’s like cutting through vines in a jungle—you’ll get stuck if you stop every five minutes to clean the mud off your boots. You have to let go of all the things that make you want to stop and edit and erase what you’ve written. You can’t do that. You have to accept your faults and move on because this is about the end game. You’re heading for that pyramid with the huge diamond on top. You have a goal and by God, you’re going to reach it and don’t let that crazy person in your head talk you out of it no matter what.

The reward outshines the difficult journey. First of all, don’t you dare get down on yourself if you are unable to finish NaNoWriMo. You are NOT a failure. This is one of the hardest competitions any writer will ever face, so don’t even think for a second that you are less of an author if you don’t complete it in time. I’m not saying this to coddle you, either. The truth is that NaNoWriMo has more than one reward. It’s not just about the bragging rights. Even if you don’t finish on time, there are still great things to gain from it.

First of all, you still have an original idea in manuscript form. That’s fantastic. Once November is over, you’re free to go back to being a regular crazyface author and you can do whatever the bloody hell you want with your new story. You can chop it up into bite sized pieces, you can make it into a series, you can turn it into a screenplay, you can do anything. That’s an incredibly liberating notion, isn’t it? All the rules no longer apply and you can take it wherever you want, including nowhere if you don’t like it (like I did. The Starlight Contingency was a one time gig and I have no plans to finish it, but it’s still great that I did it. But if you’re curious, you can read the entire thing for free right here: The Starlight Contingency.)

Second of all, if you do win, you can always look back on that victory no matter what happens in your future career. No one, and I mean no one, can take away that fresh, exhilarating thrill when you think about the fact that you condensed months’ worth of work into thirty days. Not everyone can write a novel. Sure, some hacks can fart one out and become bestsellers, but they didn’t do it in a month. You did. You’re awesome. You’re a god. You’re Elvis. You’re one bonafide bad mother sucker.

And after you do it, take the time to celebrate. Strut down the street like you’re a sexy piece of ass and don’t let anyone tell you anything different. You did something worthwhile and that very few people could ever do. That’s the real reward of NaNoWriMo. It’s a celebration of the writing process and celebrating the brave souls who do it, whether just for a month or a year or for their entire lives.

And that might sound corny, but I truly think that is why every single writer should try it at least once in their lifetime. Whether you complete it or not, you’re going to learn something for free.

Who doesn’t want that?

Good luck, my darlings. Open that document and get started.

Don’t worry. I got your back.

-Kyoko

Virtual Blog Tour Stop Roundup

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Happy belated Halloween!

In celebration of the holiday, we actually had a few different blog tour stops last night and this morning. Here’s the round up:

Book Suburbia

Elfwitch Loves Books

The Writerly Exploits of Mara Valderran

Fang Freakin’ Tastic Reviews* (* There is an actual full review of the novel with this post instead of just a spotlight. If you’re interested in the details of the plot and character, check this one out for sure. She did a great comprehensive review of the entire thing and I have to admit I am humbled by her kind words.)

And as always, don’t forget to pop in another entry for the free book giveaway.

The tour ends on November 4, 2013. Thank you so much for the support so far. Stay tuned. It’s November, and that means National Novel Writing Month. Get your pens and paper ready, my duckies.

Kyoko

Virtual Blog Tour Stop #7: Roxanne’s Realm

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We’ve got an all new excerpt up for you at Roxanne’s Realm! Enjoy!

Virtual Blog Tour Stop #6: Lis Les Livres

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Here’s our next stop on the blog tour: Lis Les Livres!

Stay tuned for more!

Virtual Blog Tour Stop #5: Penny for Them

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Here’s our new blog tour stop for today. We join the ranks of Penny for Them. There’s a review upcoming so stay tuned!

Virtual Blog Tour Stop #4: Insane Ramblings of a Crazed Writer

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Here’s our next stop on the Black Parade’s virtual blog tour: Insane Ramblings of a Crazed Writer! 

There’s a short review and an all new excerpt from the book to enjoy. As always, you can enter to win a free copy of the book.

Don’t forget to spread the word by liking or sharing this post, or the post on the blog. Thanks for the support!

Virtual Blog Tour Stop #3: Creatively Green

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Here’s our third stop on the virtual blog tour: a spotlight with Creatively Green Write at Home Mom.

You’ve got another shot at winning a free copy of The Black Parade. Don’t miss out!

Virtual Blog Tour Stop #2: Happy Tails and Tales

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Our next stop on The Black Parade’s virtual blog tour is at Happy Tails and Tales! We’ve got an interview, excerpt, and short spoiler free review with the host.

Don’t forget: this is also another opportunity to win a free copy of The Black Parade. Read to your heart’s content and enter for the giveaway.

Stay tuned for Stop #3 tomorrow!

Virtual Blog Tour Stop #1: My Tangled Skeins

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Here’s the very first stop for The Black Parade’s virtual blog tour: My Tangled Skeins Book Reviews.

Check out the spotlight post, read the excerpt, and enter to win a free copy of the eBook or the paperback, your choice!

What are you waiting for? Get over there and win a free book!

Things Supernatural Taught Me About Writing

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If you’ve never seen Supernatural, shame on you. Go sit in the corner and think about what you’ve done. Now.

If you have seen Supernatural, then you are one tough son of a gun. Supernatural is known for a lot of things—creative monsters, the world’s hottest main cast, hilarious dialogue, unapologetic Fourth Wall breaking—but the reason it was recommended to me by my writing sensei was because it had a lot to teach me about writing. Plus, my angsty Winchesters and their emotionally constipated angel friend Castiel are returning to the airwaves tonight, so let’s get started, shall we?

  1. People love to be emotionally gut-punched. And boy, Supernatural does NOT pull its punches. It introduces you to an entire rainbow of interesting, three-dimensional characters, makes you care about them, makes you bond with them, and then snatches them right out of your hands like a bully grabbing a kid’s lunch money. The relationship between Sam and Dean is Emmy-worthy because there are so many layers to the boys’ personalities. They are constantly bickering, constantly arguing, constantly not trusting each other, and yet they will die for one another at the drop of a hat. Several times, mind you. Supernatural is addictive because it barges its way into the watchers’ hearts and then proceeds to detonate like an atom bomb. This is something that all writers should strive to do. Even if your main character is an unrepentant a-hole of epic proportions, the readers should still find themselves attached to them and want to know what happens to them down the road.
  2. You cannot please everyone. Supernatural is also infamous for its loyal but rabid fanbase. Half of said fanbase is hilarious, thoughtful, and creative. The other half is full of angry, petty, self-righteous jerks. The Supernatural writers have done a lot of things over the course of the show’s eight seasons to appease the fanbase, but it is still impossible to make all of them happy. There are several examples of the writers trying to keep their fans happy. It’s no secret that the fanbase and the writers favor Dean over Sam after season five. He gets the better storylines, the better girlfriends, the funnier lines of dialogue, and is usually characterized as being “right” when the two of them are having an argument. He is also inexplicably popular because majority of the fanbase insists that he’s madly in love with Castiel. The writers have been playing to this angle ever since season six, and while the fans clearly enjoy the Dean-heavy emphasis, they still complain unrepentantly about Dean/Castiel (dubbed “Destiel”) not being “canon.” If anything, this has taught me that no matter what I write, someone will have a problem with it. Even if I acknowledge things that the readers want to see happy, I will still piss someone off. The key is to find balance. Find a way to write that makes both me and the readers happy. It is hard to accomplish, but many novels and shows have proven it is possible.
  3. Variety is the spice of life. Supernatural gained its popularity largely through the first four seasons. Its premise captured the interest of the audience because it adopted the idea that almost all myths, legends, and monsters exist within the same universe. The writers did their homework and dug up literally dozens of types of mythical predators and brought them into the real world with fantastic results. This is something I have tried to take to heart with my own writing in terms of the setting, the imminent threat, and the villain of my stories. No one wants to read the same novel with a different name. Even if it’s in the same series, the plot and storyline should move, evolve, and develop over time.
  4. Know when to quit while you’re ahead. Okay, this is going to be controversial so let me just get it out of the way. I personally think Supernatural should have ended a couple seasons ago. God knows I love Jensen Ackles, Jared Padalecki, Jim Beaver, Misha Collins, Mark Sheppard and company, but in my opinion, the last two seasons have been rather poorly done. I feel this way because Supernatural has covered so many stories, so many monsters, and so many conflicts between the brothers that they have honestly run out of ideas. For instance, season eight had a lot of recycled plotlines and moments between the brothers, and it also ended up casting them in an unflattering light. Sam not looking for Dean because he wanted a boring girlfriend and a dog was absolutely idiotic writing and completely out of character. They didn’t even attempt to justify his actions. He just…didn’t look for him. The seasons prior showed Sam’s desire to eventually quit the life of a hunter, but this season made him look like a total jackass. It worked in the other seasons because Sam knew Dean could take care of himself. With Dean in Purgatory, Sam knew he’d be in constant danger and yet he still didn’t do anything about it with no true explanation as to why. Then when Dean found out, he lorded it over Sam and acted as if Sam hasn’t saved his life a hundred times and died for him at least twice. To make matters worse, he starts treating the generic vampire Benny like his actual brother because he’s “never disappointed him” and basically acts like a stuck up, self-righteous douchebag for most of the season. Granted, all of this is subjective and many people will disagree with me, but the concept is what has taught me a lesson. It has made me examine my writing and decide if certain stories are going to be one off, have a sequel, or have the potential to become an entire series. One should know ahead of time if they have the fuel to go the distance of Alex Cross, Harry Dresden, or Sherlock Holmes before they accidentally stall out and end up stranded.
  5. Don’t fear the fairer sex. There are a bunch of ladies in Supernatural whom I completely adore—Pamela, Meg, Ellen, the list goes on and on. Yet, have you noticed something? The show has been on for eight freaking seasons and there is no female main cast member. That chaps my Bat-briefs. I do not understand why Supernatural is so unwilling to have a female main character who is a regular. Granted, it took them eight seasons just to add Misha Collins as a main cast member (seriously, what the hell) but I don’t understand. They also have a bad habit of mistreating all recurring female characters by killing them off just to make the Winchesters feel bad, but it still makes the writers seem like they don’t quite care for the fairer sex even though they clearly can write them competently. Now, my current theory is that the fanbase has a hand in the lack of ladies sticking around. As I mentioned before, the Destiel fangirls will cry bloody murder on any of Dean’s love interests but this female lead wouldn’t need to be a love interest. She could just be another hunter, or if they were smart, they’d make her a monster with a heart of gold who wants to help them. I actually would have liked Meg to join the main cast because she is so entertaining and she was starting to turn a corner before season eight ruined everything. I keep this in mind when I write. The character of The Black Parade tends to have a lot of male counterparts because the story is loosely based off of Paradise Lost, but I still make sure to find time for other ladies in her life. The first novel is still male centric, but the second and third ones depart from that. It can be hard sometimes, but I think it’s important for every writer to portray both genders equally and with all three dimensions intact.

Overall, I’m actually happy my writing sensei talked me into partaking in Supernatural. Even though I have problems with the current seasons, it has definitely taught me a lot of do’s and don’ts, and I believe I am more rounded writer thanks to them. Here’s to you, Winchesters.

-Kyoko