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Cautionary Tale: Justified: City Primeval

Posted by :letitia.carelock@gmail.com On : August 23, 2023

Too much of a good thing can be bad for you, and I think there is no better example than TV shows that get after-the-fact mini-series or additional seasons after their initial run, like Justified on FX. For those who are not aware, Justified was an FX show starring the infinitely talented Timothy Olyphant as US Marshal Raylan Givens, based on the book series written by the late Elmore Leonard. Givens is a modern day cowboy of the most badass variety, and Justified is a love letter to urban cowboys. I wish I could say the show was perfect, but it is far from that; in my opinion, it should only have had four seasons. I found season five to be bad except for the most epic villain death in television history (if you must know, look up “Justified Twenty-One Foot Rule” on YouTube and sit back and enjoy), and season six was dogshit. Therefore, when it was announced there would be a new mini-series ten or so years later, I remained cautiously optimistic and began to tune in each week via Hulu.

And what I found is unfortunately a lot like when Dexter ended, then returned to try and close the loop a little better the next time around.

Which is the subject of today’s episode of Cautionary Tales.

So all the way back in the year of our Lord 2015, I wrote a cautionary tale blog post about Justified’s lousy final season. To sum it up, the last season was very forced and it was apparent the writers had no more good ideas as they’d used them up in seasons 1-4, so the last season ended on a pathetic whimper and I won’t get into it because it’s a sore subject. But I knew all the way back then that there was a finite amount of talent in the writers’ room, and I had hoped that the big gap of time between the end of the original run and the revival would have given them the time to find a good story. I actually bothered to grab the book that this series is loosely based on, City Primeval by Elmore Leonard, just because I wanted a preview of what I might expect here. The book has a reputation for basically being a middle of the road title for Leonard’s career, but the reason I’ve brought it up is because of the context. This book has nothing to do with Raylan Givens. The book is actually about a character named Raymond Cruz, but the Justified producers decided to take Cruz out and plop Raylan in since the show, while never an enormous hit, had a modest viewing of two million viewers until the final season, which lost about half a million viewers after season five was NOT good and season six was even worse. They knew they had a built in audience that would likely return for a revival, so they decided to take the plot from the book and just assign it to Raylan instead.

And honestly, I think it was a mistake.

Not a huge mistake. Not a catastrophic “I hate this” mistake.

The problem is that this revival is nothing but wheel-spinning.

Let’s get into why this is today’s lesson of cautionary tales.

Naturally, massive spoilers for the ending of Justified and for episodes 1-7 of Justified: City Primeval. At the time of this post, the series finale has not aired, so this is more of a retrospective recap and discussion of where I think things went wrong.

Alright, so here’s the basic set up: in the original series, Raylan was reassigned back to his hometown of Harlan county Kentucky after he shot a mobster to death in a crowded restaurant in broad daylight in Miami. Long story short, the original series ends with him surviving Harlan and going back to Florida, which was where he was before the shooting. We pick up close to ten years later with a very seasoned Raylan dealing with his preteen daughter, Willa, whom he had with his ex-wife Winona, and Raylan catches a case that sends him up to Detroit, Michigan. Now, Raylan is very familiar with some Detroit mobsters that had a foothold in Harlan county because it’s a backwater town full of gross racist pieces of shit and so the drug trade is huge in Harlan and so is the general crime. After arriving to Detroit, he crosses paths with Clement Mansell, an Oklahoma Wildman who has no regard for literally anyone or anything. Through sheer dumb luck, the judge Raylan was working with runs into Mansell and Mansell snaps, killing the judge and his assistant in their car in the dead of night and taking the judge’s book full of blackmail material on dozens of Detroit citizens. Mansell, who is a career criminal but managed to walk on a technicality thanks to his lawyer-under-duress, Carolyn Wilder, then gets with another one of his associates named Sweetie to start blackmailing the people in the judge’s book to make money off them, citing that once he has enough, he and his side piece bimbo Sandy will retire to the tropics.

Now, that sounds like an alright idea on paper, but unfortunately, I think the bad writing from the final season carried over into this one. The biggest problem of the show so far is that while I get that Raylan is a fish out of water, none of the things that make him a great character other than that sly sense of humor and swagger are present in this mini-series.

Raylan Givens has two important things working for him as a US Marshal: he’s incredibly intelligent and observant and he’s an amazing shot. Those two traits define him as a character. Most of the fun of the original show is watching the Harlan criminals figure out that Raylan’s intelligence and perception mixed with being a crackshot make him next to impossible to evade or defeat. And what I’ve always loved about Raylan is that he is always fair. Almost every time he’s had to confront a convict or an escaped felon, he explains exactly what he’s going to do and what their situation is and he lets them make a choice. And 99% of the time, the dopes in Harlan county think they can either outthink or outdraw Raylan and they are dead wrong, pun intended. So I was excited to see Raylan in a new environment, ready to see him adjust and change and grow in this new city.

And yet I’ve gotten 7 episodes of absolutely nothing.

I’m someone who understands that a new series can mean that they make changes and I won’t necessarily always like said changes, and that’s okay. The issue I have with this particular change is that it makes me wonder why they bothered to tell this story if Raylan’s intelligence and amazing shooting skills are not at all in use this entire series. He never gets the drop on Mansell. He and the Detroit cops fumble the investigation so badly that I frankly would be annoyed if I were a real Detroit cop because they basically make them look incompetent. The decision to basically neuter Raylan and not give him any decent leads or even just use his own intuition to figure out how to get this guy behind bars is infuriating. The difference with this series in particular is that it’s not like Mansell is very clever in how he commits crimes. The guy is blatantly doing whatever he wants, but the Detroit cops are so stupid that they somehow still can’t lock him up. So forgetting the judge and assistant’s murders, he also attempts to rob an Albanian guy at gunpoint and breaks his leg when the guy doesn’t have any money for him to steal. He was caught on audio by the police trying to blackmail a civil servant. He murders his co-conspirator, Sweetie, and burns down the bar. He executes the guy whose condo he and his bimbo had been staying in, basically for no reason, in broad daylight in an upscale condo. Did you read all of that? Now explain to me how the heck the cops can’t find any hard evidence or anything to get this guy locked up?

I’ll tell you how: shoddy writing. And unfortunately, this has been a problem for as long as fiction has existed. Often, lazy writers don’t want to make a villain smart and always one step ahead of the protagonist because it’s “too hard,” so what they do instead is simply make a dumb protagonist who bumbles all the attempts to catch the villain. And that’s really the biggest issue I have with Justified: City Primeval. The writers decided to take the easy way out by making the Detroit cops idiots and make Raylan a neutered puppy who can’t anticipate any of Mansell’s moves or gather any evidence that would lead to some kind of conviction. All of the momentum of the previous show is not present in this mini-series.

And you know, I’d be less salty about it if the content we’re seeing that is not Raylan investigating Mansell was good, but it’s not. Now, I will say that Raylan and Carolyn Wilder’s fling is by far the only legitimate enjoyment I’ve gotten out of the show. You’re welcome to throw a Criminal Offensive Side Eye at me for it; I’ve wanted Timothy Olyphant to have a black female love interest for 10 years and this series gave me exactly what I’ve always wanted (just no sex scenes, grrrr) and I’m okay with my own bias in that regard, but everything else in the show suffers as a result of the show not delivering good content. The performances are good, don’t get me wrong, but nothing is even coming close to the enjoyment we had back in Harlan county with the kooky criminals and the interesting fellow marshals in Lexington. This revival comes across as a cash grab leaning on an established IP to get viewers.

And based on the reactions from the Justified fandom, I don’t think the show is hitting for them either. I’ve been hearing complaints about Raylan’s lack of police work since episode two. I personally had reserved judgment and was hoping it was going slow in the beginning, but it would pick up in the middle, but it didn’t. The needle has not moved an inch. The entire plot is only moving forward because of Mansell, not Raylan, so in the end, it makes the show feel like Raylan was the Decoy Protagonist and the show is instead all about Mansell, who is an irritating piece of shit in every regard, and it annoys me greatly that this actor’s fangirls have clogged the Tumblr tag with a bunch of disgusting simping for a man who murdered his own mother in cold blood and threatened to rape an underage girl in front of her father. But that’s a long story I’m not gonna get into.

The central fact of the matter is that if you’re going to resurrect a show, then you have to do your due diligence in—and pun fully intended here—justifying its existence. From what I read of the book, it was a decent story that was worth telling. This story is not worth telling. It adds nothing to Raylan’s dimensions as a character and the “rivalry” they are attempting to set up with Raylan vs. Mansell is weak because the show has not developed it. I went through my head and thought about how many scenes Raylan and Mansell have had together and oddly enough, it’s not very much. He gets under Raylan’s skin because he’s a slimeball and knows it and yet the laws of man somehow just don’t apply to this guy, but that’s it. There is nowhere near the history between them like some of Raylan’s far better opponents like Boyd Crowder or Dickie Bennett. They might as well have just not made this revival in the first place if the only thing that would be good about it was Raylan gettin’ it on with a smart, powerful black woman who can handle him in a way none of the skanks he’s slept with in the past ever have. (Yes, I said it. Every woman Raylan has ever slept with in the original show was a skank. Come at me, scrublords, I’m ripped. )

Some of the issue, too, is that the supporting cast is nowhere near as strong as the one in the show’s original run. Our cast of characters is too big and so no one’s getting the focus they should have in order to make them more interesting. I already mentioned that Mansell has a stranglehold on the screentime and everyone else is left with pieces. There have been two majorly important conversations between Raylan and Carolyn that were cut short that I think was a massive mistake: seeing how they hooked up for the first time, and this most recent episode when she bluntly asked him how he would get Mansell’s prints on the murder weapon. We should have seen more content for Carolyn, Sweetie, and the detective that Raylan’s been partnered with, Wendell. None of these relationships are elaborated on enough to really make us care about what’s transpiring. It’s all too much of a light touch with Mansell as the focus, and frankly, if the new show is so enamored with this douche, then you should have just adapted the book as-is instead of including Raylan since Raylan isn’t getting to do anything the entire time.

I also want to take a little aside here and mention a pet peeve of mine. Anyone who knows me knows about my theory about what I call White Bitch Syndrome. White Bitch Syndrome, in a nutshell, is when writers coddle white female characters (and 90% of the time they’re also blonde) when everyone else in a story has to pay for their mistakes and live with the consequences of their actions. The number one reason I hated the final season of Justified was because the show went full White Bitch Syndrome with a character named Ava Crowder, who basically spent all six seasons being a reprehensible piece of shit and got away with everything solely because white woman. Now, the bimbo Sandy Stanton is nowhere near the level of cunt that Ava Crowder is—and yes, I use that term sparingly, but Ava Crowder has earned it, trust me—but she is still being coddled and I absolutely despise the way that she’s been Mansell’s accomplice, but only now does she realize he doesn’t care about anyone but himself and would kill her the second she defected. It’s not fair for you to make all these other characters pay for their actions, but she gets to walk because she’s blonde, white, and female, but again, this was Justified’s MO in the original show. Ava got away with everything and Winona’s stupid ass walked out on Raylan too without a scratch on her, cementing her as one of the dumbest characters of all time since there is no man in Harlan county like Raylan and any woman with sense would jump at the chance to be with him. But I digress.

I guess, overall, the words I would use for this revival are “unnecessary” and “unsatisfying.” It doesn’t feel like it needed to come back if this was the material it returned to in the end. Is it better than the last season? Eh. In some ways, yes. There are better characters here and Raylan isn’t acting like a complete psychopath willing to throw his badge and life away just to kill Boyd Crowder, but at the same time, this isn’t a worthy story for Raylan Givens, especially if like I suspect, they kill him off in the series finale. This was not the right choice for him and it seems to have fallen into the traps like the Dexter revival I mentioned above (keep in mind, I never watched Dexter, but I knew it had one of the most hated finales of all-time and I know about the revival’s reception only because my dad watched it over winter break one year and we chatted about how it went).

Is it possible the series finale wows me and fixes all the problems I had in episodes 1-7? Yes. Is it likely? No. My guess is that they left all the action in the final episode so it’s an incredibly bottom-heavy series with an unsatisfying conclusion. Rest assured, if they kill Raylan off after an incredibly lackluster season, I will simply go into denial like I did with the original final season, as I sadly have had to do with a lot of shows I used to love.

So what can we learn from this debacle?

A few things, really. First, don’t bring back a beloved character unless you have something relevant to say about them or about any sort of important subject matter that you want to write about. Second, if you are more interested in writing about the antagonist than the protagonist, then you need to establish that right out of the gate instead of leading people on to think the story is centered on the protagonist. Third, learn what scenes need to be elaborated on and what can get cut that won’t be detrimental to the overall story. Fourth, don’t be lazy and make a dumb protagonist so the antagonist can get away with everything; do the work of writing a competent antagonist and a competent protagonist equally. Because if you don’t do that, you end up with a trope that has a name I forget that has to do with Lex Luthor; don’t write your bad guy getting away with his crimes so often that it induces apathy within your audience because Status Quo is God. This trope refers to Lex Luthor as the main example of how a conflict between good and evil can get boring if the bad guy ALWAYS gets away with his crimes so that the work of fiction can continue to be made. We all know that Lex is never going to jail—not for anything serious that he’s done and not for any significant length of time if they do get him on something eventually—and so Superman defeating him time and time again can get old if you’re not adding any new dimensions to the struggle. Lex fared a little better in Superman: The Animated Series because Supes and Lex were engaged in, for lack of a better word, a cold war. Lex does a bunch of illegal, shady shit and Clark tries to stop it or tries to gather evidence to either put Lex away or destroy his chances at future crimes, and that worked for that show’s format. You have to balance it with victories and losses for both sides or your audiences will lose interest.

And frankly, that’s about what happened by the time I finished watching episode 7 of City Primeval. I’ve just lost interest in what they decided to focus on and this isn’t a return to form for Raylan Givens nor this writers’ room. But what can you expect when the last season was also a dried turd?

If nothing else, I’ll commend them for giving Raylan an age-appropriate, interesting love interest with whom he had actual chemistry. That’s the best thing I can say for City Primeval, personally. I guess we’ll see if they somehow buck the system and stick the landing, but my guess is I’ll be just as disappointed with this finale as I was with the original one, and that’s a damn shame considering the enormous talent of the cast in this mini-series.

Better luck next time, my long legged cowboy boyfriend.

“On this lonely road

Trying to make it home

Doin’ by my lonesome, pissed off

Who wants some?

See them long, hard times to come…”

The Dresden Files Reread and Review: Dead Beat

Posted by :letitia.carelock@gmail.com On : April 14, 2020

Category: Book & Movie Reviews

Tags:blog post, dead beat, harry dresden, karrin murphy, reread, review, the dresden files, the dresden files reread, the dresden files reread and review, thomas raith, waldo butters

Well.

Look at that.

I almost took as long a hiatus as Jim Butcher did completing Peace Talks.

*rimshot*

Get used to that joke, folks, I’m a bitter old crone.

In light of being stuck indoors for a while due to COVID 19, and in light of the recent explosion of news now that Jim Butcher finally completed Peace Talks and it’s being released July 2020 with Book 17 Battle Ground releasing in September 2020, I’ve decided to pick back up on my R & R. We left off a few years ago on Book Seven, Dead Beat. As always, spoilers for both this book and future books abound. You have been warned.

Just as an aside before we start, I have a bone to pick with Jim Butcher, his camp, and the fandom over Dead Beat. Some years ago, someone started saying that any new readers interested in the Dresden Files should start at Dead Beat and skip the first six books.

That’s the dumbest, wrongest, most irresponsible “advice” I’ve ever heard.

If you’ve read my recaps, you’ve seen the utter bombs that have dropped in the series prior to this book. I violently disagree with anyone who has ever told new readers to start at Dead Beat. I will fight Jim Butcher himself over it. Don’t you dare tell someone new to franchise to skip the first six books.

Wanna know why? Let me give you just a taste of the incredibly important things/people that happen either for character reasons or for plot reasons that have consequences or payoff that continues through the rest of the season:

Harry’s mother, Margaret
Harry’s father, Malcolm
Murphy’s father, Colin
Ebenezar McCoy
The White Court
The White Council and the Senior Council
Thomas’ connection to Harry
The Denarians
The Summer and Winter Courts
The Summer and Winter Mothers
Lea, Harry’s godmother
Jared Kincaid
The Archive
Susan Rodriguez and the Red Court war
Mortimer Lindquist
He Who Walks Behind
Mac and his bar
The Knights of the Cross
The archangels
Waldo Butters

And that’s just a fraction.

A literal fraction.

So I just want to put my two cents in here and say that while Dead Beat is considered a game changer for the books and one of the first big turning points, do not ever tell someone to start in the middle of the goddamn Dresden Files. It’s reckless and it’s going to make them miss out on so much rich story and so many vital character interactions as well as just some plain great novels. Stop it. Stop it now.

Anyway.

I’m a little funny about Dead Beat, personally. To tell you the truth, I don’t remember it very much because I am shipper trash and this is the book with no Murphy in it. I tend not to pay as much attention to the Murphy-less Dresden Files novels because that’s my favorite dynamic. But to be fair, this is still a good novel and the next one coming up, Proven Guilty, is chockful of awesome Harry/Murphy content, so let me get over myself and dive into the madness once again.

We open Dead Beat with a case of sibling rivalry. In case you’ve forgotten by now, Thomas, Harry’s older brother, has basically been cut off and booted out of the White Court mansion—now headed by his older sister, Lara Raith, who is behind the scenes controlling their father, Lord Raith—and is broke due to spending the last of his fortune to pay off Jared Kincaid for the job Harry hired him for in Blood Rites. Thus, the two Le Fey boys are living together in Harry’s tiny basement apartment and it’s not exactly the easiest thing to deal with. Aside from Susan, Harry’s only ever lived alone with a cat, and later, his dog, Mouse, whom he decided to keep. They’ve been living together close to a year, and Thomas is an incubus sex vampire, so poor Harry is having to deal with beautiful women randomly appearing at his place and wrecking it up on a regular basis since that’s how Thomas feeds himself. You can understand that it makes him exasperated.

Plus, there’s the bonus of these women mistaking Harry for gay.

Which…I’m so sorry, that’s one of the funniest damn things in this whole book.

The problem is that Harry and Thomas don’t actually look alike and they can’t tell people they’re related because it’s very dangerous for their enemies to know that, so the two of them hanging out constantly makes people jump to the wrong conclusion.

This will be important later.

Also, hilarious.

Which brings me to my next excellent bit.

After Thomas returns from the shower once the girl leaves, he reveals that he absolutely ships the hell out of Harry and Murphy.

This is also important.

Harry: [Murphy] said she’d be dropping by.

Thomas: Oh, yeah? No offense, Harry, but I’m doubting it was a booty call.

Harry: Would you stop it with that already?

Thomas: I’m telling you, you should just ask her out and get it over with. She’d say yes.

Harry: It isn’t like that.

Thomas: Yeah, okay.

Harry: It isn’t. We work together. We’re friends. That’s all.

Thomas: Right.

Harry: I am not interested in dating Murphy. And she’s not interested in me.

Thomas: Sure, sure. I hear you. *rolls eyes* Which is why you want the place looking nice. So your business friend won’t mind staying around for a little bit.

Thomas gets it.

Seriously, Harry, you had an entire epiphany in Mavra’s lair that you were jealous of Kincaid taking off Murphy’s pants, and yet you’re going to pretend she’s still just your friend? Thomas smelled that lie almost immediately and I love it.

However, while this is quite amusing, Thomas is having a rough time because incubi can’t exactly hold down regular jobs. Thomas is constantly being jumped by other employees and passerby’s, so he’s frustrated and angry once Harry starts to needle him about his control and bails. It is tough to think about what he’s going through, honestly, and it’s part of why I like Thomas so much as a character. White Court vampires typically don’t do what he does. Thomas only feeds on willing partners and only just enough to stay alive. Other vampires take who they want, when they want, and take until they kill their victims or enslave them to the pleasure. It’s got to be hell to fight those impulses when it’s literally what keeps Thomas alive and sane. But we’ll dive into that more later on.

Harry cleans up and takes Mouse for a walk and Murphy is waiting for him when he gets back.

And then Murphy drops a freaking atom bomb on us.

She’s going to Hawaii.

With freaking Jared Kincaid.

You know. The assassin.

The very not human assassin.

Jim Butcher:

Harry is very understandably angry, confused, worried, and jealous as hell. Murphy came over to leave her location and info to reach her hotel in an emergency as well as the key to her place to “water her plants” while she’s gone.

And here’s where things get interesting.

Murphy is asking Harry a question that unfortunately, poor stupid Harry isn’t aware of yet.

Murphy doesn’t need someone to water her damned plants. Does she need to drop off her location in case Kincaid does something shifty? Probably, yes, but she came over for two real reasons: (1) to have an excuse to ditch the trip if Harry was in the middle of a case that required her help (2) to see if Harry finally realized the romantic and sexual tension between them and would stop her from going by sharing his feelings with her.

This scene is infamous. It really grinds my gears, but in a good way. This is great writing because Harry is tragically a couple steps behind Murphy in this case. I love him to death, but Harry is VERY slow on the uptake emotionally speaking and he’s too far into his own denial and self-doubt to respond to Murphy’s unsaid question. However, the interesting part is that Harry senses something is off but he just CAN’T put his finger on it. He can feel her hesitance, but because he’s overly cautious, Murphy still leaves for the trip.

It’s so goddamn frustrating.

But it’s still good writing.

I really would have loved for Harry and Murphy to have had a conversation about their relationship at this point, but he’s not ready yet and the first time they talk about it in the next book is very interesting, so congrats to Butcher on being patient and pacing it out. It’s a really good internal conflict for Harry during this book because he’s out facing all kinds of dangers but he’s also thinking about how much he wants Murphy not to be with Kincaid because he’s jealous and worried because he cares about her a lot.

Mind you, the entire interaction ends with this bit from Harry’s inner monologue: I watched her go, feeling worried. And jealous. Really, really jealous. Holy crap. Was Thomas right after all?

Harry, you’re a fucking moron.

When Harry checks his mail, he gets a nasty surprise: a threatening letter from Mavra with photos of Murphy killing Renfields during the Black Court vampire raid from the previous year as well as a lock of Murphy’s hair. He’s to meet her that night at his grave in Graceland cemetery or she’ll release the photos, ruining Murphy’s career forever and most definitely landing her in jail.

He meets Mavra and is told to find the Word of Kemmler or she’ll have all the photos sent to the authorities, which means both the regular cops and the White Council. She gives him three days to get it, which coincidentally means his deadline lands on Halloween, his birthday. Ah, just another day in the life of Harry Dresden.

Harry heads home to get the skinny on the Word of Kemmler from Bob the Skull, an air spirit of knowledge he keeps in his basement. We find out Kemmler was a necromancer responsible for World War I and II, for crying out loud, so the guy was major bad news in his day. Bob has been owned by a number of people and things in the past and it so happens he was owned by Kemmler before Justin, Harry’s former master and abuser, owned him as well. Bob has purposely forgotten much of what happened with Kemmler since the guy was a walking nightmare. In order to get more knowledge, Harry taps into Bob’s memories but it goes very sideways as Bob becomes rather demonic when they talk, so Harry switches him back to normal.

The Word of Kemmler is his most awful, evil spells and if anyone gets their hands on it, then havoc and death will be everywhere, especially since some of his followers may still be alive. The magic needed to do a big bad thing would require sacrifices in advance, so Harry heads to see Waldo Butters at the morgue.

And here is one of the aforementioned turning points.

Butters gets one hell of a character upgrade in this book.

And it’s one of the most well-done, surprising aspects of the series.

Our delightful dork Butters is in the morgue practicing polka for Oktoberfest when Harry arrives. This will be important later. Don’t look at me like that, I mean it.

Butters has been studying Harry’s X-rays and recovery progress—if you recall, his left hand is burnt to hell—and lets Harry know his theory, which is that his body literally heals itself until an injury is gone, not just to the best it can do for functionality, which is why he thinks wizards live five or six times longer than the average person, which means there’s a good chance Harry will get the functionality back in his hand. This is a very cool, very heartfelt moment when Butters tells him. I love it. Their friendship is gold.

Butters notices something odd about a body and is about to look into it when a necromancer attacks the lab, using the poor dead security guard as a zombie enforcer. The lead Mook is named Grevane and he’s after Butters. They manage to escape and Butters insists that Harry tell him The Truth, to which Harry reluctantly agrees, since Harry learned his lesson from the last few times he didn’t want to tell someone The Truth and they got killed.

Harry gives Butters the abridged version of The Truth and explains that necromancers have to have a “beat” in order to control zombies, so any sound they can generate that’s repetitive keeps their will over the zombie. If it stops, the zombie just does whatever the hell it wants, so they have to formulate a plan to stop Grevane from getting to Butters as well as find the book. Harry got a look at the book Grevane had with him, so he takes Butters back to the apartment and leaves him with Mouse to investigate.

He stops at a bookstore and grabs a copy of the book that Grevane has and meets one of the bookstore’s employees, Sheila. This will be important later.

On his way out, he’s confronted by two previously unknown entities: Cowl and Kumori. They want the book as well, as Chicago only has two copies. Harry realizes he’s seen them in passing before at Bianca the Red Court Vampire’s place. They actually try to parlay with him to just destroy the book if he doesn’t want to hand it over, but Harry is the stubborn sort and doesn’t play ball. Cowl attacks and Harry just barely manages to survive it and Billy the werewolf and his pack show up to back Harry up. Cowl and Kumori retreat and Harry leaves with the pack as the cops approach.

They take him to Georgia’s parents’ place and Harry overhears Georgia and Billy having a very interesting conversation about him. In particular, about his burnt hand and some of his behavior, how he’s angrier than he has been before, and that when he flipped the car on top of Cowl, Billy smelled sulfur. I really like the tension in the scene as Harry has HUGE blindspots about himself—again, this will be VERY important later—and we as the readers forget that because we’re inside his head, we know his motivations, but others don’t. Georgia is asking Billy to consider stepping back if Harry asks them to because she knows Cowl is big bad business that they’re not ready for and she’s also asking him to consider if something is wrong with Harry since he’s also been very distant lately.

Harry tells them about the demon Lasciel and the coin. It’s a tough conversation considering that Harry has tried every spell he can find to try to separate himself from the demon and nothing has worked. Worse still, he’s doubting himself since he picked up the coin instead of Harry the second when Nicodemus tossed it, so he’s concerned about his subconscious desires as well. What’s really important here is the friendship between them as Harry tells them what’s going on and they agree to do what they can and that he thanks them graciously. It’s really such a grounded scene and it’s why I love Harry so much as a character. I especially love that Georgia points out that Harry is basically the supernatural dad of Chicago; he immediately takes anyone who needs help under his wing and puts their needs before his own, protecting them before protecting himself, which is why she was asking Billy to be willing to hang back. She didn’t want them to distract him considering the level of danger that he’s in, which is a great show of what good friends they are to him. It’s very touching.

Once the heat dies down, Billy and Georgia take Harry back for his car only to find it’s been bashed up with a baseball bat by someone clearly trying to send him a message. Billy and Georgia very kindly offer to get the Beetle towed and lend him their SUV so he can continue investigating since he’s on a deadline. Again, this is a really heartwarming moment, showing how much they care for him and trust him and I like it a lot.

Harry goes to see Mortimer Lindquist, a fake psychic but someone who does happen to have enough supernatural talent to be helpful sometimes. Harry wants Mort to ask the dead if they can help him locate the necromancers. He refuses at first, but then Harry tells him Murphy’s in trouble and Mort knew Murphy’s father, so he agrees to help. The ghosts are able to confirm there are six necromancers currently in Chicago.

Harry returns home and Thomas is home and Butters is asleep. Harry starts to read the book he acquired, but he falls asleep and is visited his father, Malcolm Dresden. It’s probably one of the best scenes in the book, if I’m being honest, as the affection and reverence that Harry has for his late father and vice versa is so palpable. I’ve said a million times that one of the reasons Jim Butcher is my favorite author is that he doesn’t skimp on the powerful emotional scenes with Harry and his loved ones, as well as just other characters in general. A lot of the times male authors want to make their hero really cool and don’t want to focus on things that matter to him on a personal level. Harry is and always has been someone who is deeply impacted by everything around him and he’s not afraid to show his emotions, good or bad. The whole interaction is just simple encouragement from his dad and it’s wonderful.

The next morning Harry and Thomas go for a run and Harry gives him an update on what’s going on as well as telling him about Murphy running off with Kincaid. I want to mention that Thomas is in mid-run when he finds out about Murphy and Kincaid and he full-on stops running for a few seconds.

Thomas @ Jim Butcher:

Thomas is all of us.

It is notable that by now, Harry has realized that Murphy wanted him to tell her not to go. However, he’s trying to rationalize it and say that he’s being reasonable by not going after her due to their friendship and professional relationship. Thomas takes a very good shot at him for it and it’s really good and tense because Thomas is frustrated that Harry doesn’t see that the two of them could have the real deal. Thomas is in love with Justine and he knows how good it can be, but he’s been denied that due to being a vampire. It’s comforting to see that Thomas isn’t pushing Harry to go after Murphy just to be a needling older brother or because he wants him to get laid. Thomas cares because he knows they can go the distance and be happy, which is more than he would ever be able to do being who he is.

This segways into Harry confronting Thomas about his hunger and what he’s dealing with. Thomas comes up with a clever way to make him understand: he challenges Harry to race him down the beach back to the car. Naturally, Thomas is a freaking vampire with vampire speed, so Harry has to use basically every last drop of his strength and agility to “win” the race, and is exhausted and is about to gulp down a whole bottle of cold water when Thomas knocks it out of his hand. And then Thomas quietly tells him that’s what it’s like for him every waking moment of his life. Harry finally understands why he’s been tense and frustrated lately and it’s a great bonding moment for the brothers.

Harry drops Thomas back off at the apartment and heads for the nearest use of dark magic on the map, which is at the Field Museum. The museum currently has the infamous Sue on display at the time, aka Sue the T-Rex skeleton. This will be important later. Turns out there’s been a murder, so Harry sneaks into the crime scene to snoop. He of course forgets that he’s like seven-feet-tall, so one of the S.I. cops who is on the scene, Rawlins, spots him mid-snoop. Rawlins is another character whom I have affection for in terms of being a reasonable authority figure and an ally to both Harry and Murphy. It amuses me greatly that he’s been busted down from detective on account of having a smart mouth and an attitude, since it explains a lot of why Murphy trusts him. His intuition and his knowledge that Harry works with Murphy and she trusts him allows Rawlins to feel comfortable enough to let Harry in on some details of the murder victim, Charles Bartleby. It also helps that Murphy’s father, Colin, saved Rawlin’s life a long time ago so he’s always had Murphy’s back.

On a hunch, Harry asks if Rawlins knows what happened at the morgue and he doesn’t, which means Grevane cleaned up the mess and no one knows Butters is missing nor that the security guard is dead. Harry decides to take Butters along to the morgue to see if what the necromancers want is still in the building. They head inside and take a look at the body Butters had been about to examine and it’s mutilated very badly.

While Harry waits for Butters to help with the autopsy, he overhears the two assistants to Bartlesby come in to ask about the body and his personal items. Harry recognizes that the male, Li, is a ghoul. He hustles to get Butters gone before they get in trouble, but the other corpse that got hit by a car Harry recognizes is a smuggler who works for John Marcone. Cue eyeroll.

In case you forgot—and it’s easy to because this character is so dull—John Marcone is Chicago’s mob boss. He has his fingers in pretty much every pie of organized crime and he’s very aware of the supernatural underbelly as well. He and Harry hate each other’s guts, but both are too dangerous to get the other one killed so they mostly just try to stay out of each other’s way.

They go back to Billy and Georgia’s to try to see what’s on the jump drive, but it’s just an empty file with a number that has sixteen digits. Harry checks his voicemails and he’s got a painfully frustrating check-in call from Murphy and then a call from Sheila, the cute bookstore girl, that something’s up. Harry has Billy take Butters back to the apartment while he continues snooping.

Harry heads to the bookstore and is hurt to learn that its owner, Bock, doesn’t want him around anymore since he’s pretty much got trouble on his heels at all times. Harry agrees and talks to Sheila, even landing himself a date with her later, but shortly after he runs into Li and Alicia, trying to find who bought the Erl King book. Alicia demonstrates some very scary dark mental magic and unfortunately the only way for Harry to break loose is to tap into some of the demonic power in his head. He tries to make a break for it, but gets injured and they take the book. He lucks out that Marcone’s bodyguard, Gard, saves him before Li can finish him off. He gets pulled into a car with Gard, Marcone, and Marcone’s other bodyguard Hendricks. Marcone cooperates, giving him a tip since it’s in his best interest that Chicago isn’t overrun by the undead and in retribution for one of his men being murdered.

Harry gets his injured leg fixed and talks to the tip Marcone gave him, which is an EMT who saw Kumori revive a dead guy the previous night.

After that, Harry heads home and Thomas warns him about Butters being too scared to be any use if they get cornered. It’s a really good conversation as Thomas isn’t saying it to be mean, he’s saying it out of concern for Harry dragging Butters around as literal deadweight. Harry sticks up for him in a unique way, which is telling Thomas that they won’t do him any favors if they tell him to run and keep running, as the fear will control him for good. He and Thomas talk through what he’s learned and Harry recounts what he read in Erlking, so to dig for more info, he decides to call up Lea, his absolutely batshit insane, dangerous, hyperviolent “godmother.” Lord help us all.

But to his surprise, when he tries to summon Lea, Mab, Queen of Air and Darkness as well as the Winter Court, also pants-shittingly terrifying, shows up instead, saying that Lea is imprisoned for challenging her authority. However, Mab is still bound by her loyalty to answer Harry’s questions, so Harry instead asks her about the Erlking. Mab tells him that the Erlking is basically the king of goblins and has control over dead hunters’ spirits, which is linked to why the necromancers want to get his attention, so to speak. Harry tries to dig for more but Mab won’t cough it up unless he becomes the Winter Knight. As right now, Mab has her current Knight, Lloyd Slate, imprisoned and tortured for “disappointing” her. Harry theorizes the necromancers want to raise the ancient spirits all at once and absorb their power, which would make them too powerful for pretty much anyone to stop.

And as Harry gets back to his apartment, he gets jumped by zombies.

Harry Dresden, you are bad for my heart, sir.

The wards that protect Harry’s apartment are meant to stop magical beings from entering, but it has a limit to just how much it can take. Once the bad guys throw enough zombies at it, the wards will fail and then it’s just getting through the steel door to bust inside. Butters understandably gets hysterical because the only plan they’ve got is to try to break for the car and leave.

What follows is one of the most notoriously awesome, heartwarming things in this series.

Harry: We’re not going to die!

Butters: We’re not?

Harry: No. And do you know why?

Butters: *shakes his head*

Harry: Because Thomas is too pretty to die. And because I’m too stubborn to die. And most of all because tomorrow is Oktoberfest, Butters, and polka will never die. Polka will never die! Say it!

Butters: Polka will never die?

Harry: Again!

Butters: P-p-polka will never die.

Harry: Louder!

Butters: Polka will never die!

Harry: We’re going to make it!

Butters: Polka will never die!

Thomas: I can’t believe I’m hearing this.

You’re fucking welcome. Everyone’s life has been enriched by witnessing this scene. Legit, if you shout this at a comic book convention or somewhere that a large number of geeks enter, someone will probably shout it back to you. It’s that famous a scene. For good damn reason.

Harry manages to negotiate with Grevane to get everyone out in exchange for the numbers they found on the flash drive. Corpsetaker crashes the party and Team Dresden manages to bail from the ensuing battle. They all head to Murphy’s place to get stitched up and rest.

Which leads to one of the other funniest goddamn jokes in the whole series.

Poor Butters thinks Harry is gay.

The best part? Thomas thinks it’s fucking hilarious. He then proceeds to enable Butters by being fake-nice to Harry while Butters is stitching him up and I can’t even start to tell you what a belly-laugh it gets out of me that Thomas not only thinks it’s funny, but he just makes it even worse for shits and giggles. It’s EXACTLY what an older brother would do and that’s why I crack up every time I read it. Harry and Thomas are arguably my favorite fictional siblings for this exact reason. Their relationship is so realistic.

Thomas pulls a fast one and gives Harry painkillers instead of antibiotics, which make our giant idiot sleepy and Thomas tucks him in. And Harry proceeds to stab us with more feels when Thomas puts him in Murphy’s bed: The last thing I thought, before I dropped off to sleep, was that the cover smelled faintly of soap and sunlight and strawberries. They smelled like Murphy.

Harry, you dope. You’ve got it so bad for Murphy it’s not even funny.

When Harry sleeps, the demon in his head, Lasciel, finally manifests herself. Since Harry had no choice but to use the Hellfire to get out of a jam earlier, she now has permission to be in his head. She’s not the true demon, but an imprint of her, basically, since the real coin is under Harry’s basement under a lot of powerful magical wards. They have a brief conversation in which Lasciel offers Harry her almost endless knowledge and power and Harry tells her to shove it.

When he wakes, he gives Thomas and Butters the low down on his terrible plan, which is basically to call the White Council and get Wardens dispatched to Chicago to fight and then he’ll try to summon the Erlking at the same time as the necromancers, which means if he pulls it off first, then the necromancers can’t steal the Erlking’s power for their evil plan meanwhile Bob, Thomas, and Butters try to decode the numbers to figure out where the Word of Kemmler is so he can give it to Mavra to save Murphy’s life. The entire thing is basically suicide. Because of course it is.

Billy stops by Harry’s office to make sure he’s alright after hearing what happened at the shop and to warn him that people are very worried about his erratic behavior lately, which Harry brushes off due to all the shit he’s dealing with. This will be VERY important later.

Harry stops by Sheila’s apartment and has her recount the poems in the Erlking’s book so he can summon him because she has a photographic memory. Kumori stops by, but reveals that she just wants to talk, so they enact a ceasefire. She wants him to back off and he wants her to back off, but understandably, neither of them can do so. She does reveal that she and Cowl’s mission is to harness death magic to literally end death in general, making everyone immortal. Yeesh.

Harry heads to Mac’s bar to meet with the Wardens, which consist of Donald Morgan, Carlos Ramirez, Anastasia Luccio, and two newbies. Then Luccio goes and offers Harry his own grey cloak, to Harry’s shock. Then Harry finds out that the war with the Red Court has taken out twenty percent of the Wardens forces so far. It got worse as the Red Court chased them through Nevernever, the land of demons and other creatures, and then called to the Outsiders, which are malevolent beings that live outside of Harry’s resident dimension, reality, and universe. Still, knowing how the Wardens and the White Council operate, Harry wants no part of their ranks. For damn good reason, I might add. Morgan is a dickhead bully who followed Harry around for his entire probation period just waiting for a chance to cut his head off and even tried goading him into attacking him so he’d have an excuse to kill him once. Luccio manages to persuade him that they’ll support him and that she at the very least trusts him and it will shift the tide of opinions in the White Council away from him since he technically started the war (but to be fair, the Red Court just needed an excuse, they were planning it already). She makes him regional commander and reassigns Morgan so he won’t be hovering over Harry’s shoulder looking for a place to stick a knife and they start strategizing what to do.

After the meeting, Harry heads back to Murphy’s place. Thomas called his sister, Lara Raith, and implied that Harry—who knows that she is running the White Court and not her puppet father Lord Raith—might spill the beans unless he receives some sort of assistance. She got them some info about where they think the ceremony will take place. Harry sends Thomas out to drop off a message to the Wardens and preps to go trap the Erlking in a circle so the necromancers can’t summon him.

Harry calls up the Erlking and actually manages to hold him, but Cowl jumps him and the Erlking as well as the Wild Hunt are unleashed on Chicago. He and Kumori leave Harry alive out of respect, and out of the knowledge that the Erlking is just gonna come back later and off Harry. Butters and Mouse are thankfully safe inside the house, and it’s now that Harry realizes that Mouse is scary smart and in no way a regular dog, which is adorable. Unfortunately, though, Kumori stole Bob since Kemmler used to own Bob and Bob would probably know how to give them the instructions they need for the Darkhallow spell. Let the good times roll.

Harry and Butters leave, still trying to figure out the combination, and then we get possibly one of the biggest, nastiest bombs in the whole book dropped on us.

Sheila isn’t real.

She’s Lasciel projecting herself through Harry’s five senses to appear real to him, but she’s not physically there or anywhere but in his head.

Feel free to shit an absolute brick and then throw that brick at this bitch’s head.

I’ve not talked about this bit because I wanted to get to it in sequence with the book. This is one of the most intensely fucked up things that’s happened to Harry so far in the series. I mean, the level of cruelty and manipulation by Lasciel is staggering. She outright lied to his face to get him to comply with her “help” and then tries to pass it off as not that bad to him when he finally puts it together that it’s all in his head and that’s why his friends and Bock the bookstore owner have been worried he’s going nuts. He’s been talking to thin air, for God’s sake. Lasciel insists that she actually enjoyed playing the role since Harry didn’t know it was her, and Harry is a very sweet, charming man all on his own, for no reason other than that’s just how he is, even when he’s in danger. She hasn’t interacted with any people in probably a very long stretch of years, so in a way, she’s not all the way lying about enjoy Harry’s company when he didn’t know it was her the whole time.

But it’s so fucked up.

Lasciel is directly preying on Harry’s weaknesses. She knows he’s soft on women. She knows Murphy left him and he’s hurting and jealous and longing for her this whole time, worried about protecting her from Mavra, and feeling bad that he couldn’t act on his feelings before she left. Deep down, of course Harry wanted a friend and ally during this tough fight, and she’s the only girl around who is smart and pretty and interested in him for who he is, seemingly. What a bitch move. It’s a ‘cut out your heart with a spoon’ moment for me. I am so offended on Harry’s behalf that it’s not even funny. She played him like a fiddle and it’s so depressing and messed up that it’s tough to reread the scenes before Harry finds out Sheila’s not real.

The other piece that’s important as well is that Lasciel is self-serving. If Harry dies, she dies as well. She is still a real entity even if she’s just a copy of the real Lasciel that lives inside the coin in Harry’s basement. She really is trying to help him survive the ordeal so that she can survive as well.

However, Harry recognizes the slippery slope he’s on and asserts his will power until she’s out of his head temporarily and reassures Butters that now he’s aware that he’s been played with so badly. Poor guy. It’s also tough as hell on his friends to have faith in him when he’s literally been hallucinating without knowing it for the past couple of days, but it’s a testament to what good people Harry knows that they keep giving him the benefit of the doubt.

Harry and Butters manage to throw together a tracking spell and find the Word of Kemmler hidden in the skull of Sue the T-Rex at the museum. Grevane confronts Harry and we find out that his buddy that’s been with him the whole time is Cassius, a former Denarian who Harry went to fucking town on in Death Masks, and for good goddamn reason. Grevane leaves with the book and Cassius starts trying to get Harry to tell him where his Denarian coin is. With torture. It is very, very rough and I do not like it and I want to sue Jim Butcher for $300 million in emotional damages.

But luckily, just before Cassius is going to kill him, Butters and Mouse crash the party.

Butters does an admirable job of kicking ass Butters’ style and Mouse makes the final kill, but unfortunately, Cassius gets out his death curse before Mouse kills him. A Death Curse is something a wizard or sorcerer can use right before their final moment. It’s one of the strongest kinds of magic ever, since it’s involved with death, and you can’t avoid it or reverse it usually.

And Cassius’ death curse is “die alone.”

…yeah, I’m suing Jim Butcher for $500 million emotional damages now. Jerk.

Both fortunately and unfortunately, Cassius’ death curse is not immediate. It doesn’t kill Harry on the spot. Harry passes out and sees Id Harry and Lasciel in his subconscious, who have a coming to Jesus talk with the fact that he’s basically heading down an assisted suicide path with his solutions. He finally has no choice but to allow Lasciel to help since there’s not much he by himself and with his few allies can do to survive the night.

It is now, my friends, that we reach the most infamous scene in the entire Dresden Files series.

Harry fucking Dresden riding a zombie dinosaur down Michigan Avenue.

Mm-hmm.

Read that again. Drink it in, people.

My idiot wizard boyfriend has outdone himself.

Since he’s read the Word of Kemmler, he reanimates Sue and has Butters use his polka suit to provide the beat as they haul ass to the site where the necromancers are trying to summon all the spirits.

And it turns out Sue’s pretty handy against an army of zombies. She eats Li. Good girl.

Harry takes Sue and Butters over to the Wardens and gets them caught up and ready for the final assault just as the spell starts to rev up. Corpsetaker attacks Luccio, switching their bodies and minds in the attack and Harry just barely manages to realize it in time. He shoots Luccio’s body and kills Corpsetaker.

And of course, Donald fuckin’ Morgan sees this, thinks Harry’s a traitor, and tries to execute him.

Harry is already too shaken by what he did and is about to let it happen, but Luccio revives in Corpsetaker’s switched body and makes him stand down. I know that Donald Morgan has reasons and motivations and a backstory that we will find out later in the series, but honestly, from the bottom of my black heart, fuck Donald Morgan. I hate him so much. He is everything wrong with the White Council and everything wrong with soldiers in general all rolled into one despicable man. I loathe him even though I’ve read the books and I understand that he is a three-dimensional character. Still. Fuck him.

The Wardens except for Harry and Ramirez are too injured to help, so they press on, leaving Butters to be safe with them, and take Sue out towards the Darkhallow. Ramirez turns out to be an absolute hoot and gets along with Harry, trusting his instincts and the actual good things people have had to say about Harry for once, and it’s a relief.

Ramirez kills Grevane, but Cowl and Kumori get the jump on him and knock him out, capturing Harry. Bob is facilitating the spell and Harry manages to get through to the real Bob, releasing him from the skull. Bob flies into the now loose Sue and comes to Harry’s rescue, and Harry is able to stop Cowl from absorbing the souls and completing the Darkhallow.

Go Team Dresden.

Harry wakes to get a nod of respect (and a warning) from the Erlking. He and the Wardens all get cleaned up and he gives Mavra the book, though not without threatening the shit out of her over Murphy and it makes me shipper heart sing. Nothing says, “I love you” like “if you touch her, I’m declaring war on you.” Oh, Harry. You’re such a romantic.

There’s also a lovely scene of Harry standing over his grave and his father visits again, giving him reassurance that while the death curse will indeed hit someday and while Harry had to do really fucked up things to survive this time around, it’s still his choice to be who he is in spite of the dark things surrounding him.

Things wrap up pretty good. Luccio is on leave to heal, so Morgan takes over for her in the meantime and actually admits that he was wrong about Harry for once (and I still don’t care and hate his guts) and Murphy comes home with her arm in a sling, implying that Hawaii had its own adventure for her (that I will never ever read even if Butcher does write it) and Butter gives Harry a guitar so he can start to rehabilitate his hand, ending the book on a sweet note.

So that was Dead Beat. Woof.

Dead Beat is definitely a rollercoaster ride. It’s one of the books that has very few downtime moments and it has momentum like a freight train. Harry is thoroughly trampled both physically and emotionally and so was I rereading the sheer amount of trauma he went through. For that reason, I have to say Dead Beat is kind of tough on the senses. I do admit that I miss some of the brighter spots and the downtime that Blood Rites or Summer Knight had in them. Overall, while it’s certainly not the darkest book, it is one with some of the darkest consequences and where Harry feels so overwhelmed and hopeless, which is a common theme since Butcher is a sadist. It’s a fantastic book, though, and I get why it gets a lot of buzz in the reading community.

Overall Grade: 4 out of 5 stars

Join me next time for another personal favorite of mine in the series, Proven Guilty.

Kyo out.

The Dresden Files Reread and Review: Fool Moon

Posted by :letitia.carelock@gmail.com On : February 25, 2015

Category: Book & Movie Reviews

Tags:book review, Fool Moon, harry blackstone copperfield dresden, harry dresden, jim butcher, karrin murphy, review, susan rodriguez, the dresden files

We’re back with another in depth review and analysis of my favorite urban fantasy series, The Dresden Files. This time we’re taking a look at Book #2, Fool Moon. Spoilers ahead, as always.

Once more, I am inspired to bow down to Jim Butcher right off the bat because of his stubborn refusal to use info-dump or exposition dumps for the first chapter of the book. I subscribe heartily to the idea of “in media res” and not boring any newcomers with the main character giving you their entire life’s story as soon as you flip to page one. I’ve always admired how he can open the book with Harry’s sharp wit and endearing self-deprecation while still introducing plot threads, new and old, and gently reminding us of the wizard’s role.

Now that I’m done being happy about Butcher’s writing style, I can concentrate on my gross sobbing because this is one of the books where Harry and Murphy are at odds with each other. They haven’t spoken in a month and there’s a great deal of tension between them—and not the good kind. Murphy calls Harry in on a grisly murder where all signs point to a werewolf. And then to make matters worse, the FBI butts in and starts causing hell for them, particularly the one crazy ass agent who tries to shoot Murphy while escorting her off the crime scene. Ah, a day in the life of Lieutenant Murphy. She never gets a break.

Still, the good thing is that the conflict between Harry and Murphy throughout this book is grounded in realism. After Harry helped curbstomp the bad guy in the previous book, the ramifications for both of them is what caused the rift. Internal Affairs started looking really hard at Murphy, so she couldn’t call Harry in for the werewolf murders without I.A. shifting focus onto him, which could put him in jail. Plus, there’s Harry holding back information to keep Murphy from getting killed. It’s kind of delicious considering both of them are mad at each other for protecting one another. Do you see why I have trouble not shipping them? Stupid adorable babies.

As I mentioned in my review of Storm Front, Harry and Murphy’s friendship is really what has always helped set The Dresden Files apart from other series. For instance, after the heated confrontation with the FBI, Harry and Murphy get back in the car and Harry takes Murphy’s keys so she can’t just drive him home without saying anything. He confronts her about the rift between them and that’s very rare. A lot of characters would be passive aggressive about this sort of thing—which, to be fair, Harry does have a little moment right when they are reunited—but Harry is direct about the tension between them and it’s a really nice departure from the norm. He also promises to try and give her as much information as he can, though he notes that it’s still impossible to tell her everything at this point.

We get some wizarding and Harry finds the first batch of suspects—a group of young werewolves led by a woman who was following Harry and Murphy from the crime scene. Murphy manages to catch up to him and he tells her to wait before trying to investigate them, since his instincts tell him they aren’t to blame for the murders.

Harry gets some information from the air spirit Bob and heads to S.I. headquarters in the morning, where he happens to bump into Susan Rodriguez—the hotshot reporter he’s been casually seeing. I think with this interaction I started to figure out why I’ve never been hot on Susan. The relationship he has with her is purely based on attraction, whereas with Murphy (mind you, much later on) it’s all about mutual respect and friendship. Susan is beautiful and assertive with her sexuality, which is a weakness for Harry, but not for me, so all the heavy flirting she throws his way just slides right off me. I’m not a guy, and so Susan doesn’t offer anything to me because she’s all about being attractive. We’re told she’s smart and tenacious, but most of what we’ve seen of Susan has been off-screen, and so I think it lessens the impact of how important she is as a character. Like “Gentleman” Johnny Marcone, Susan is a character who feels obligatory to me. She’s supposed to be there, rather than naturally occurring like 90% of the other supporting characters. Thus, this interaction does nothing for me other than reminding me Harry is a sucker for a hot lady who has a Type A personality.

Additionally, I had a startling realization that Susan is also a pretty big distraction, both literally and figuratively. Whenever Harry gets around her, he’s always flustered and can’t focus because he finds her so alluring. However, unless I’m mistaken, Susan hasn’t really been able to help Harry achieve a goal at this point in the narrative. Now, she does so later in this book and in the series, but Susan’s been more of a problem than a solution in Harry’s life. This is realistic, but it’s also kind of annoying to know that they aren’t going in the same direction and she blocks things for him in a way. But again, that’s just a personal bias. She has plenty more involvement in the story and maybe I’ll finally like her as we continue onward. (But don’t hold your breath.)

After nearly getting chomped by some werewolf suspects, Harry bumps into Marcone, who tries to bribe him into helping him investigate the murders that have been directed at some of his employees, so to speak. This interaction, I admit, is vastly interesting to me because this is one of those rare scenes where Harry and Marcone are completely at odds. Often, Harry has been forced to walk on eggshells around Marcone because he’s so dangerous, but this time he just candidly calls the guy an animal and tells him to take a hike. I like that. I like it a lot. It shows that Harry’s temper is most definitely a character flaw—trust me, it gets him into trouble plenty of times—but it also makes him even more endearing. Harry is not a perfect guy, but you really root for the way he goes after Marcone here. Harry hates corruption, but even more, he hates that Marcone tries to dress up the fact that he’s a criminal and a murderer with this air of false sophistication. He’s a thug in a nice suit, essentially, and Harry calls him out on it.

Once the showdown with Marcone ends, Harry does pursue the tidbit of relevant info Marcone gave him and then we get a really fantastic reveal that the demon he’s interrogating knows about his mother. Harry’s past has been revealed in small chunks since the first book, and if I’m not mistaken, this might be the first big piece we get about Margaret Dresden. We know she was a powerful magic practitioner, but she died during Harry’s birth, so the poor dear never got to know her. Harry’s backstory is shrouded in mystery and bucketloads of pain, and it’s yet another thing that makes us sympathize with him so much. Harry carries this quiet but powerful ache inside him because he has no surviving family members that he knows of, and it’s heartbreaking when you can tell he wants to bargain for the info about his mother with the demon, but he knows it would land him in a world of trouble if he did.

Annnnnd then we get to the scene that feels like Jim Butcher is playing Surgeon Simulator and I’m the unlucky bastard he’s “operating” on.

Murphy calls Harry up to another murder, but unfortunately, Harry discovers that Kim Delaney, a casual friend and acquaintance, has been murdered because he wouldn’t tell her how to finish a spell she was using. Murphy puts the pieces together and goes berserk, kicking Harry’s ass before finally arresting him. A lot of folks in the fandom aren’t fond of Murphy’s actions from this point onward, but I think it’s still within her character to have this kind of reaction. Harry specifically promised not to hold back information and he did so, and now someone else is dead. Add that in with Murphy already being stressed out over Internal Affairs being up her ass and their strained friendship and her reaction, to me, sounds about right. Plus, as I’ve said before, Butcher takes great pleasure in smearing our hearts into paste beneath his boots, so he made sure Harry is all but broken after this scene. I tried to hug my paperback, honestly. Poor baby.

To Harry’s luck and detriment, the spouse of the bad guy he’s hunting, Tera West, breaks him out of the back of the police car and they escape, though poor Harry is injured even further. Tera is definitely an interesting character among the many minor or one-book-only characters we’ve met throughout the series. She has such alien actions and dialogue that make her unique. I like that Harry is absolutely not having most of the nonsense she puts him through because he recognizes that she’s dangerous and there is something quite off about her.

This brings us to the confrontation of Harry and the potential killer, MacFinn, who is actually someone trying to control or get rid of the curse that turns him into a loup-garou. It’s one of the better mysteries in the series because you can feel the tension as Harry tries to figure out if MacFinn is on the up-and-up.

Susan reappears, as I assured you she would, as Harry’s ride since Murphy and the FBI are still hot on his trail. I’m happy she’s his support system and she did something plot-relevant instead of slinking around and flirting with him. But I still don’t find myself feeling fond of her. Don’t worry, I’m not going to go blaring Avril Lavigne or anything.

Sadly, though, shit hits the fan in a big way soon afterward. MacFinn was arrested by the Murphy and her cops trying to escape the forest and transforms while in the precinct. It is one of the most pants-shittingly scary moments in the series entire run. Butcher leans more for fantasy than horror later on, but this bit is strictly horror, and boy, does it send chills down your spine as you read. Worse still, among the casualties is Carmichael, Murphy’s partner, who dies saving her life. It’s as rough as it sounds, which kind of sets a tone for the series where you know Butcher’s not going to pull any punches.

Luckily, Harry and Murphy and a handful of others survive, and Susan swings in to take Harry home to recover. It’s here that we’re introduced to a very weird, but strangely cool concept. When Harry takes a beating to the point of unconsciousness, he finds himself talking to Id Harry. Id Harry is his instinctual side, who is a very abrupt, candid, borderline rude summation of Harry’s often neglected inhibitions and desires. He brings up a brilliant point that Harry’s desperate desire to protect Murphy is what could get her killed and even though it would put her in danger, he has to trust her with the truth finally. He brings up other good advice for Harry to consider before he has to exit stage left. I like Id Harry because he’s kind of like a cheat code. He provides a break in the action as well as some much needed plot fuel. It’s a risk, and I’m sure some people don’t like that it is a way to easily convey information and drop new plot points or foreshadowing, but I still find him interesting enough to excuse it. (P.S. Id Harry notes that Harry should ask Murphy out sometime, but regular Harry remains clueless. I just wanted to point it out. This will be important in later reviews.)

And then he, you know, throws himself out of a moving vehicle. Jesus Christ, Harry.

The passage leading up to that is nothing short of hilarious. I continue to turn Hulk-green with envy that Butcher can write such gut-bustingly funny scenes when Harry is in mortal danger. This time, the biker gang of wolves Harry was snooping around have come back for revenge. Things go from bad to worse when he’s too battered to beat them and gets himself kidnapped and finds out the FBI is in on the scheme, and so is Marcone.

Harry does get his butt saved a lot in this book, I admit. It’s both good and bad. It’s good because it shows how human and inexperienced he is, and how he’s capable of getting in over his head. It’s bad because, I’m not kidding, Harry gets rescued a TON of times in this novel, whereas in the other ones it’s a tie between him figuring a way out and coming up with a plan, and sheer dumb luck.

We also get a love scene between him and Susan, and again, I just am not feeling it. I have a theory, personally. I think Harry and Susan have passion, not quite love. Love is layered and multifaceted. To me, Harry and Susan are passionate, but not right for each other, and perhaps that’s why their romance leaves me cold. To his credit, though, I really love the passage of Harry showing some true vulnerability, and the scene where Susan dresses him. It’s a powerful, emotional scene, and even though I’m not crazy about Susan, I adore it.

Naturally, their plan to stop Denton and his goons go south and Harry gets captured again (are you seeing a theme here?) We do get a really tiny but sweet friendship building moment as Harry shelters Murphy with his coat while they’re trapped in the cold pit waiting for the bad guys to finish them. Luckily, they manage to cobble together a small plan, with some help from the betrayed Marcone, and skidaddle for the final big battle.

The great thing about the finale for this one is that it weaves back into the beginning with the Book Ends trope in a big way. It’s Harry and Murphy facing off with the loup-garou all while the two are in the middle of the biggest fight of their entire friendship. That, to me, is a huge hurdle, to save someone’s life when you’re so pissed off at them that you don’t even want to meet their gaze. It works. It really, really works.

Overall Grade: 3.5 stars out of 5.

Next up we have Grave Peril, which means diving into ghosts and the like, which is right up my alley. See you next time, darlings.

The Dresden Files Reread and Review: Storm Front

Posted by :letitia.carelock@gmail.com On : January 13, 2015

Category: Book & Movie Reviews

Tags:book review, donald morgan, harry blackstone copperfield dresden, harry dresden, jim butcher, johnny marcone, karrin murphy, review, series review, susan rodriguez, the dresden files, urban fantasy

Harry Dresden–Wizard
Lost items found. Paranormal Investigations. Consulting. Advice. Reasonable rates. No love potions, endless purses, parties, or other entertainment.

Hey, remember that New Year’s resolutions for 2015 list that I made? I’m finally ponying up on one of them. We’ve got 14 books to cover and I might as well get the candle burning. As expected, mild spoilers for The Dresden Files by Jim Butcher. These are of course informal reviews that are both plot-recapping and my reactions to elements of the stories. Though I will give each book a star rating to make you happy because I love you. Yes, you.

The gangly smartass wizard known as Harry Blackstone Copperfield Dresden crashlanded into my life in 2013 thanks to my big brother. I began reading Storm Front on a whim since I remembered a friend had bought it for me and I lent it to my brother, and quickly discovered it was the best decision ever. Gleefully intrigued after finishing the first book, I grabbed the remaining paperback copies my brother had collected and smashed through the entire series in the span of one summer. I read them so quickly that I think I actually missed some of the subtle nuances, and that’s what has prompted me to do a reread and review of each in series.

I think what first caught my eye about Storm Front—aside from the handsome son of gun representing my beloved wizard on the cover—is the fact that the beginning is actually sort of quiet and subtle. We get some choice snarking from Harry and a quick, efficient set up for his world, for the plot of the series, and for the plot of this first novel. As you get further into the Dresden Files, many of the other books open with a bang—hell, Blood Rites and Changes are actually famous for having incredible opening scenes—but this one is surprisingly tame and yet interesting enough to get you to turn the pages. If you know anything about me, it’s that my first language is sarcasm. Give me a sarcastic little shit of a narrator and I am yours. Harry won me over from page one with his knack for being a surly snarker, but it helps that we’re immediately led right into a good murder case and missing person’s case as well.

Another thing that immediately warmed me to Storm Front is the established friendship between Harry and Lieutenant Karrin Murphy. It’s very common for supernatural P.I. characters or magic practitioners in urban fantasy or paranormal fiction to work with cops. It would be a thing that would happen for real if we lived in that world. However, Harry and Murphy are a departure from your average cop/consultant relationship because of the strength of that friendship. When you first start this series, you probably don’t figure Murphy will be much more than an ally or an occasional roadblock, but once things start going, you realize how awesome it is as part of the overall series. Harry and Murphy’s professional relationship could have been cliché or boring, but it’s not because they have maddening amounts of chemistry, and not just the romantic kind. It’s quite rare for such a grounded friendship. It works incredibly well against the grisly murder Harry is called in to consult on, and it’s also a really good set up for the evolution of their relationship.

I absolutely adore the fact that Harry and Murphy are good friends who occasionally engage in harmless flirting and think nothing of it. I adore it. It’s so rare that you have a platonic friendship of this magnitude in this particular genre because most of them like to give you pairings and sexual tension early on, and to be honest, Harry and Murphy don’t start showing signs of sexual attraction until a few books in. It’s a testament to Butcher’s excellent comprehension of character development and style that he wrote them this way. A lot of Harry’s actions work better because he isn’t strongly attracted to Murphy (or rather, doesn’t realize yet that he’s attracted to her) and so it says so much more about him as a person that he does things out of loyalty and friendship than out of love for her. Sure, he loves her to pieces already, but not romantically, and there is a sharp difference between those two kinds of love. It’s something you’ll see down the road when their relationship starts to develop into something more as the books progress.

If you can’t tell already, I ship the ever-loving crap out of Harry and Murphy. It’s extremely unhealthy. It’s a huge hindrance for rereading the series because I keep wanting these two oblivious idiots to snog each other senseless since I know what happens further down the line. It’s going to be the hardest part of my reread to not let my shipping needs interfere with my analysis of the books.

To be fair, my theory is that Butcher kept writing them and writing them and then one day reread his work and went, “… ‘allo, wot’s all this then?” In the early books, as mentioned above, they flirt a little just because it’s good fun, but I don’t think Butcher planned on them starting to develop feelings until a good ways into the series when he realized just how compatible they are and how much they respect and care for each other. Their relationship has so many layers that I think he just realized it and then went for it. It’s not spontaneous, but it is a delightful development that I think just snuck up on him one day.

Moving right along, we meet “Gentleman” Johnny Marcone, Chicago’s premiere crime boss, in just a couple of chapters in. I don’t know how I feel about Marcone overall. I think since I’ve read all the books (except Ghost Story, shut up, stop judging me) and I know what direction they head in, it’s hard for me to like this guy as a character. To me, Marcone feels the most like a tool that Butcher used for the story than a naturally existing character. He’s not forced or anything, but compared to the other villains we meet along the way, he’s the least interesting to me. It’s not because he’s human, mind you, but because he’s just a common kind of bad guy. Eloquent, sophisticated, dangerous, and patient. He’s basically just a less maniacal Lex Luthor, and that might be why he’s never impressed me over the length of the series. He’s a means to an end. A good foil for Harry, but little else than that in my eyes.

After our encounter with Marcone, we get to see Harry in his professional environment of helping a client. One of the things to note about the first book is Harry is still an old-fashioned guy with no social life, so he tends to fixate on pretty women a lot, and it’s a general character flaw. I get so bent out of shape about people who complain about Harry’s sexism in the early books because it is fully intentional. Harry not only acknowledges that he’s old-fashioned, but he pokes fun at himself and knows it’s not something he needs to do but rather is just built into his personality. I don’t mind it so much because it’s an actual problem that gets exploited in the series more than once, and because Harry learns from it later on. Hell, one of the reasons I instantly liked him is because he so clearly has real flaws and quirks about him rather than being a cool guy 1940’s-style P.I. or an alpha male lead. Things scare him. Things worry him. I hadn’t seen much of that in my various readings, and certainly not in the urban fantasy genre.

Next, we’re introduced to McAnally’s pub—a neutral zone for the paranormal folk of Chicago—as well as Susan Rodriguez, a gorgeous, nosy reporter with a focus on the supernatural. Like Marcone, I’m not sure how I feel about Susan as a whole, though I hold her in much higher regard than him. She feels like she’s supposed to be here more than she really needs to be here. It’s tricky to explain why, and it’s even harder to do that without inviting massive series-wide spoilers into the mix. I feel about Susan the same way I felt about Rachel Dawes from The Dark Knight saga. Both are written adequately, both are important to the plot and the main characters, but for some reason, I never quite liked them. I don’t dislike either of them, but I never gravitated towards them. It could just be a personal taste and preference thing, though, so keep that in mind. As a writer, I tend to like people who are more similar to me, and while I couldn’t hope to be as cool and useful as Karrin Murphy, I like her because we’re still cut from the same cloth, whereas I am nothing like Susan Rodriguez. She’s smart and sexy and manipulative, and I can’t be any of those three things simultaneously. Hell, I can’t even be two of the three, which is probably why Harry and I get along so well.

Soon afterwards, we’re introduced to Harry’s home life, which I also happen to adore because it’s modest without being depressing. He has a cat named Mister who acts like a real cat—affectionate when he feels like it, but with plenty of attitude—and a piece-of-junk car called the Blue Beetle that is lovable (I had one just like it named Old Bruce in my youth) and an apartment with zero things that the average person has that would drive any non-wizard crazy. However, Harry takes it all in stride with humble appreciation and that’s pretty much what makes it work.

We also get both Harry working some magic in order to get some information from the fairie Toot, and an introduction to the colossal asshole Warden Morgan, a member of the White Council of wizards assigned to monitoring Harry. Both are recurring characters with distinctive quirks that make them easy to remember. The good news about Morgan is that he’s a relevant source of conflict with justified reasons for hating Harry’s guts. The bad news is he’s still a massive prick and you kind of want to curb-stomp him. The White Council is by far one of the most brilliant aspects to Harry’s universe because they’re supposed to righteously uphold the Laws of Magic, but they really are a bunch of pompous assholes, like a real form of government. That’s brilliant, if you ask me.

Next, we’re introduced to Bob—an air spirit of near-infinite knowledge who lives in a skull in Harry’s basement lab. Bob is a riot. That’s pretty much all I need to say about him.

Then zoom! We’re off to plot stuff. It’s gritty and paced quickly, getting one beyond the halfway point of the novel in practically no time flat. We’re also treated to a little cool down time in Chapter 12 with Murphy getting the injured Harry home and taking care of him so sweetly that it sent my inner shipper off on a pleasure cruise. Get used to it, folks. I’m sorry. I ship them so hard, and they’re not even romantically involved in this book. I need professional help after the way this chapter ends.

We also get to the scene that literally made me decide that I was going to not only read but love the rest of this series. A giant toad demon infiltrates Harry’s home while Susan is there, and while they’re in the basement hiding behind a temporary shield, Susan accidentally drinks a love potion and tries to have sex with Harry while he’s trying to kill the demon. Sweet mother of God, that is the most hilarious scenario anyone could ever come up with. I remember sitting on my brother’s couch cackling hysterically at that entire scene. Sheer brilliance.

And of course, we also get treated to a staple in the Dresden Files, which is scenes where it feels like someone tied you to the floor spread-eagle, taped butterfly knives to the front of their shoes, and started gleefully kicking you in the chest. Yes, Mr. Butcher is proficient at making you feel like shit warmed over by a toaster oven. This time it’s because Harry screws up and can’t tell Murphy what he knows because it could get her killed and they’re at odds with each other. I’d rather have hydrochloric acid dripped onto my tits than have to feel this all the time. These kinds of scenes have always been Butcher’s best work—making you love and care for these characters, and then drop-kicking them emotionally (and sometimes physically).

The climax of the novel is a big, ugly, crazy explosion, pretty much. It sets up a lot of great things for the future, as a good first-in-series should. It has just a slice of nearly everything that you will get to see in further detail for later books, with a few exceptions here and there.

This reread went amazingly fast, and that’s probably what got me so deeply into the series. I blasted through nearly 400 pages in one afternoon and you never feel the time when you’re hanging out with Mr. Dresden. I love the pacing. I love the diction and style. I love the careful world-building and the grounded characters. I love that Butcher knows when to joke and when to reach into your chest and squish your heart between his fingers. I love this series. Love, love, love.

5 out of 5 stars.

Next time, we’ll be diving into Fool Moon on my Dresden Files reread and review. Don’t stay out too late, kiddies. The monsters mostly come at night.

Mostly.

-Kyoko

Archives for : review

Cautionary Tale: Justified: City Primeval

The Dresden Files Reread and Review: Dead Beat

The Dresden Files Reread and Review: Fool Moon

The Dresden Files Reread and Review: Storm Front

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