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The Slippery Slope (Part 4)

Sigh.

We’re back here again, ladies and gents. This is why we can’t have nice things, dammit.

Alright, so, the story with The Diplomat is a funny one for me. I had no intention of ever watching this show until one day in 2023, I was on the phone with my dad and he suggested the show. I asked him why, as I generally don’t go for political dramas or thrillers, but he assured me I’d get it once I watched the pilot. So I tried the pilot. I then gave my father another phone call afterward.

Me: …did you tell me to watch this show because I AM Kate Wyler?

Dad: That is EXACTLY why.

Me: How dare you.

Now then, we’re going to talk about The Diplomat in excruciating detail because I cannot shut up to save my life (“AND YOU KNOW THIS, MANNNNNNNN!”) and so if you’re not caught up through the end of season three of The Diplomat, please bookmark this post and pop back in when you’re up to date. Spoiler Warning: I will be spoiling nearly the entire show to talk about what I felt went horribly wrong in season three.

So the story of me watching The Diplomat is mostly that I found my tribe with Kate Wyler, who before season three was a sleep deprived trainwreck tomboy and that’s still 100% me (even though now I like to wear dresses, funnily enough), so I gobbled up season one in a binge-watch and did the very same for season two, enjoying both seasons immensely. Of the two, I’d lean slightly towards season one, but only for the epic confrontation scene (and yes, I know, if the genders were reversed, it wouldn’t be funny, but as it stands, it’s HILARIOUS and I regret nothing). I truly had fun with the show, so I was very excited about season three once announced. The show itself is not one of the super trending shows, so I actually had to go look up the premiere date for season three myself and then discovered the trailer was online with a mid-October premiere date, so I gave it a watch.

And I immediately got worried.

The trailer was skewed towards the toxic romance between Kate and Hal, hinted at Kate’s relationship with Austin, and then introduced some random dark-haired guy as a potential love interest. It immediately put me on edge as this show’s never used the toxic romance bit to carry it; the romance has always been a catalyst. I quelled my fears and decided to wait in spite of my unease and see where the actual season went, as trailers often are misleading.

The season came out. I was in Atlanta hanging out for Multiverse Con, so I split the eight episodes into three days of viewing after the con when I got back home.

I am very, very worried about this series now.

Let’s get into why.

Alright, recap time: The Diplomat stars Keri Russell and Rufus Sewell as Kate and Hal Wyler, a married couple of diplomats and ambassadors to Britain. Long story short is that their marriage is a sham and only being kept up for appearances as both of them are toxic and argue constantly, then make up constantly over how to handle her job. Kate then finds out the Vice President of the US is going to be replaced and they have been eyeing her for the role. She doesn’t want it, but shenanigans happen and eventually, she realizes there may be some merit in accepting the role and so the show is about them not only keeping Britain from going to war thanks to their irresponsible, childish prime minister Trowbridge, but also her slowly realizing the path to the White House might be right for her after all. The conflict comes from keeping Trowbridge under control and the fact that Hal loves to go behind her back to manipulate things in his favor to give him more power.

In season three, Hal told President Rayburn that the VP Grace Penn was the one who suggested the mistakenly fatal attack on the HMS Courageous. Originally, it was a tactic that should have resulted in no deaths, but errors caused it to kill 41 sailors and sink the ship. The shock of the news plus Rayburn’s age and poor health result in him actually having a heart attack and dying upon being told his own VP was partially responsible for the deaths of 41 British sailors. The country is thrown into crisis mode as they speedily ready Grace Penn to be sworn in as President, and to the Wyler’s shock, she actually chooses Hal to be her VP, not Kate. Hal and Kate have an intense argument, but she tells him to accept the role, and he does, but she is now second lady and the ambassador to Britain, and so the strain of doing both roles then completely deep-sixes their marriage all over again. Kate becomes resentful of Hal leaving her out of conversations she feels she should be involved in; Hal resents Kate for moving on with a new boyfriend even though they are supposed to pretend to be happily married in public. Then, a discovery is made that there is a derelict Russian sub in British waters carrying a very bad nuke called the Poseidon. If they don’t remove it quickly, a bad foreign power will get their hands on it, so everyone has to now convince the very angry Trowbridge to address the nuke sub issue without causing an international incident between the US, the UK, China, and Russia.

On paper, that doesn’t sound like a bad season, right?

Well, here’s where things went wrong for me.

  1. The Kate/Hal ship went from toxic, but compelling to outright abusive and unlikable. I have to admit I’m not surprised this was the first bubble to burst in season three. I’m sad it did, but I’m not surprised. They walked a razor thin line between being toxic but fun, and sadly, the writing has now pushed both Hal and Kate into full on emotionally abusive sociopaths. The reason that the Kate/Hal machine worked in previous seasons is that as angry as they get, they also recognize that they find comfort and solace in each other because they’re both fucked up. Both of them are vicious in their pursuit of protecting their station and protecting the country. The balance struck in the previous seasons showed you all the good and all the bad, meeting in the middle at a dead stop. Neither one of them could get out of their own way to be together in a healthy way, so they just constantly were in a Will They/Won’t They holding pattern, throwing in Austin as Kate contemplated picking a much healthier romance over Hal. Sadly, this season, they lost the thread completely. Hal is a jealous boorish pig who won’t stop sniping at Kate and behaving like an angry teenager whether he’s with her or without her. Before, we knew he got frustrated with her, but now it’s just an entire season of passive aggressive sniping comments and snide remarks. It’s the opposite of what made us all love to hate Hal in the first place. Rufus Sewell was chosen for this role because it perfectly suits his acting ability. He almost always plays a bad guy because he just has a bad guy villain face and voice, but here, Hal is a complicated creature. Hal is extremely smart and extremely creative, but he’s also an egomaniac that wants monuments built in his honor because he just fancies his own intelligence that much. He is effective, but he’s also stubborn and is incapable of holding his tongue in any high stress situation, so he’s also a liability. Before, Hal was a dangerous but necessary aspect of the show. In season three, he’s intensely unlikable for his childish taunts and refusal to cooperate simply because he’s jealous of Kate’s position and Kate’s new boyfriend. Kate, conversely, has similar issues, but this season also ruined her. Before, Kate was a mess, but not a disaster. She’s also stubborn and self-righteous, but for the most part, her heart is always in the right place and she is trying to avert a crisis. In season three, Kate is characterized in a way that I’m not entirely sure was intentional. She is indecisive the entire season through in her personal life, somehow ping-ponging between Hal, Austin, and a third love interest randomly introduced a few episodes into the season who’s just there to scratch her itch. Now, do I know it’s very human, if messy, to sleep with people you work with? Yes. I promise I’m not slut shaming Kate Wyler. What I am saying is she’s written so poorly this season that I feel the urge to slut shame her, and I shouldn’t because slut shaming is wrong. There is no excuse for her behavior, in my opinion, and I only mean from the standpoint of the fact that she KNOWS she is to pretend to be happily married to Hal and arrogantly assuming she can sneak and fuck Callum Ellis the entire time with no one figuring it out is absurd. Hal notices it the very first time he even sees the guy, so why would she assume no one in the entire organization would put two and two together? It’s simply a bad idea to jeopardize her career and Hal’s career for sex. It’s just sex, lady. You’ve had it before. Maybe just suck it up for a while and wait until things cool off, then try to get laid? It just comes across as shallow and stupid of her when it’s so easy for her to get caught and ruin both their careers. It also makes them both look like terrible people abusing each other back and forth all season long with no repercussions other than their own unhappiness. It makes you not want to spend time around these people, and I’ll use an example to help you get why it bugged me so much. Billions is fantastic show my dad also introduced me to, and it’s against my nature to watch that one as well for its subject matter, but it had one key factor that made me not finish the show. Billions is an excellent show. But Billions is a show in which literally every single character is an immoral piece of shit. Are they all well written and interesting? My God, yes! They are FASCINATING people, but every single one of them’s an asshole, so what happened is I simply got tired of spending time with so many shitty but interesting people. I just stopped watching after I realized no one was ever going to be someone I could root for, and that’s okay. It simply wasn’t for me. The difference is that Billions was always about immoral but interesting people; The Diplomat was not. Kate and Hal started this show as likable leads, and season three took that out back and shot it in the head twice. I am sad to say I think The Diplomat moved Kate and Hal into unlikable territory in the same vein as Billions, and I think that decision is a mistake.
  2. The Kate/Callum subplot was terribly underwritten and unnecessary. Kate has more than enough material if the writers room wanted to make the romance the focus, and Callum’s late, under-written inclusion massively hurt this season for me. I actually had a comedy of errors the first time I even saw the guy. I had accidentally walked into another room when the series put up the graphic for the (very stupidly handled) five month time skip. So I watched the next scene utterly confused, rewound, and then realized I’d walked away from the screen when it told us it was five months later and now Kate is banging this chump. Is Callum an annoyance as a character? No. He’s too bland for me to hate him. I simply dislike him because who does a time skip on a romantic fucking relationship and then expects me give a single shit about the new guy nor his relationship to Kate? Why would we care? We don’t know this guy from a hole in the ground and he’s just every charming British bloke. The reason Callum falls so flat is that Austin is a much better choice even though it would land them both in hot water if anyone found them out. Callum comes across as totally unnecessary when Kate’s sexual tension with Austin had been building in a nice and believable way, so throwing another bland dude in the middle and then deep-sixing the relationship abruptly with no explanation and a rushed marriage comes across as terrible writing. There is no reason Kate needs another man in her life. Especially since she confusingly says she wants another chance, then she runs to Hal in the finale and claims she wants to go back to him. But that segways into my next point.
  3. Characters do contradictory things in the narrative in a way that doesn’t feel organic nor intentional. There are two big decisions this season that, to me, make no sense whatsoever: Austin getting married to a girl he met and dated for five months and Kate going back to Hal in the finale. Austin’s entire arc is confusing to me because it feels like the writers cannot decide what his use is in the show after the first season. He seems to be a foil to Hal at first, showing decorum and restraint with Kate and she’s never had that before. At first, I thought they were doing a non-stupid version of what the Twilight series attempted with Jacob and Edward (and yes, I hate myself for even knowing this subplot at all.) In New Moon, Bella claims that the decision wasn’t Jacob vs. Edward; it was who she should be versus who she actually is as a person (which is nothing; Bella is the worst protagonist in book history and I will not ever retract that statement COME AT ME SCRUBLORDS I AM RIPPED) and I thought maybe the show was slowly putting that together for Kate. To me, Austin is who Kate would choose if she was ready to leave behind the toxic patterns she learned with Hal. She would not behave with Austin how she would behave with Hal if they got together, no way, no how. He is a true gentleman and would likely treat her with nothing but the utmost respect. However, that’s not what went on. It looks like Austin unfortunately got used to just interrupt Kate and Hal’s relationship and be a threat without ever being a true threat. Recently, the black fandom’s been calling it the Disposable Black Girlfriend trope, which is where a very nice and interesting black woman is introduced as a love interest to a handsome white male lead, but for almost always shallow or stupid reasons, they break up or never get together at all and he is later put with a canon white woman. It seems even The Diplomat may not have escaped this annoying trope, just gender flipped. I do not understand why they had Kate pursue him in this season when it’s not a viable option for her, and the impulsive makeout they have felt forced. Did I like it? Hell yeah! Get you some, Austin, you’re a cool dude! But it wasn’t right. It felt like it was lip service to just address the romance one last time, then push him off to not be with her because she’s stuck in her toxic ways. I can at least postulate about what went on there, but I cannot at all for Kate running back to Hal and begging him to take her back. I will probably watch this season again with my parents and I still don’t know why the hell Kate said she’d take Hal back; literally, there is a scene earlier in the season where she asks Callum for a second chance. I’m baffled as to why they won’t let Kate outgrown Hal and vice versa, as they both became so abusive this season that I don’t get why they would get back together.
  4. Kate acts out-of-character for much of the season, but specifically how she behaves with Eidra. This part I continue to be vexed and confused by. So part of the involvement of Eidra is that the plan to attack the HMS Courageous (the conception was for a harmless attack, but the attack itself would have fixed something for Britain if carried out correctly and it just went wrong) was suggested by Grace Penn to a woman named Margaret Roylin, the direct mentor to Trowbridge. This meant that they had to secure Roylin as a material witness to the massive international crime, so she’s been in Eidra’s secret CIA safe house. After the early events of the 3rd season, they want to move her to the US so she won’t be murdered by her co-conspirators in Britain and Russian, but unfortunately for them, Roylin commits suicide by taking her sciatica medication’s entire bottle in the safe house. This now means a British political figure died in CIA custody off-the-books, and without informing the British intelligence, so Eidra is now up against being fired and criminal charges since Kate is the one that told her to detain Roylin and they were supposed to transfer her on Trowbridge’s orders. Now, Eidra and Kate have always had a strained relationship because Kate does risky shit and refuses to ever change her mind even when she’s wrong, so this didn’t help that relationship one single bit. What feels wrong about it is Kate is weirdly cheerful even though Eidra is visibly afraid for her freedom and career, and so it comes across as callous. Kate should be doing everything she can to help fix what she broke by telling Eidra to detain Roylin, but she instead makes matters worse by acting indifferent and by messing up several things that would have helped Eidra avoid the hammer coming down on her. Now, in the end, she manages to avoid getting fired or thrown in jail, but it is not much thanks to Kate and it truly gave Kate this unflattering white women indifference to an Asian woman’s plight, especially unflattering because all of this is Kate’s fault. Yes, Eidra could have said no, but under those circumstances, a no was going to be an even bigger problem. I just think the show handled the entire subplot poorly and made Kate look like an ingrate.
  5. The characters make several Captain Obvious idiot decisions that you know won’t produce the results they want, yet they behave as if they had no other choice or that it was a good idea. As a few of the IMDB reviewers have pointed out, the show would bend the rules for things a diplomat and ambassador can do, but season three broke them. There were several moments that I can tell wouldn’t be tolerated by our government nor the British government, but the most egregious moment for me was the Poseidon incident. It makes no sense that Grace, Hal, Kate, and Billie behaved like Trowbridge has been anything except a whiny, immature, sexist bully and a coward. The second he threw Rayburn under the bus and protected himself and Roylin, you knew that any plan with that sub wasn’t going to earn his cooperation. The idea to sink it should have been the first thing out of their stupid mouths instead of sneaking a drone down to take pictures. Trowbridge had already been enraged at Roylin’s suicide and the (fake) news that Rayburn suggested the Courageous attack, so why in the living hell did they all act like he would listen when they told him about Poseidon? Plus, as the reviewers pointed out, I very much don’t think Trowbridge could have acted without Parliament or other procedures, even though I am an American and I don’t know how their system works. All I know is it didn’t sound believable in a show where it mostly tries to sound logical. I also agree with the people that said blaming Rayburn was a scumbag move and it made you dislike Kate, Hal, and everyone that went along with it. I have no love for Rayburn, but I also thought it was a slimy way out for them all. This show has routinely proven that it can write smart characters, yet this season felt like everyone got slapped with a dunce cap and told to be stupider, maybe to appeal to some kind of broader audience? I’m not sure. All I know is that shit with Trowbridge was dumb as hell, yet the series acted as if it was the right choice or the only choice. I also don’t understand why the fuck Hal and Grace would steal Poseidon. There is no benefit at all, unless they got intelligence someone tried to steal it first and they just stopped that theft. There is no reason for them to have stolen it from Trowbridge other than cheap, easy drama next season, so that too is another sign that this series is on the slippery slope.

I truly don’t think this show is at a point where it can’t be saved, but this season struck such a hard blow against it that I’m reeling a bit. It’s just such a vast difference in quality in the writing that I have to wonder if three things happened, and I’ll hopefully find out someday now that the season is out: (1) Netflix told them they got the season four greenlight, but they have to start trending, not just getting great reviews, and so they told them to insert way, way more romance and sex to attract female viewers ala Scandal or a Shonda Rhimes/Ava Duvernay series (2) Netflix told them that they want the show more like Billions, where the cast of characters are terrible, flawed, but interesting people, instead of sticking with the flawed but likable cast we currently have written (3) The show ran out of ideas of what to do next due to the excellent writing for their first two seasons, so they tried focusing on the romance instead of the clever plot and added more sex to try and distract from the fact that they ran out of ideas for season three. Since it’s so early, I’m sure there isn’t much out about the third season’s production, but I will be listening out to hear if one of those three theories is why season three is so damn wonky.

I’m also not alone in my griping for once. I popped open the IMDB page after the season three premiere and several of the user reviews have said the exact same things that I did (albeit it with brevity). What’s scary is how many of the recent reviews not only say that the first two seasons are great and this one sucks, so many of them use the exact phrase “soap opera” that I can tell I’m not the only one that thinks season three is a massive step down and setback from seasons one and two. Truly, if you don’t believe me, go have a look.

I really want this show to get out of its death spiral. I do. I hope that the critical reviews are read and reviewed by the creator and the writing team and they realize this is a simple misstep and they course correct. After all, we just saw the first Castlevania Netflix series do the same (great first two seasons, terrible third season, but much improved fourth season closing it out, though it didn’t do everything we wanted like make TrephaGretacard a canon poly ship, but I digress.) I don’t feel like this season made everyone irredeemable, but if I were the writers, I’d set up the first half of season four to fix everything I just said. Fix Hal and Kate so that they are no longer unlikable sociopaths. Fix Austin so he’s not just being used and discarded to interrupt your main ship. Toss Callum out the window or actually bother to write him into the narrative so he matters and we care about him, whether that’s love or hate. Get everyone’s actions back to being consistent. Stop making lazy decisions for easy manufactured tension. Make sure Kate has an actual arc, not just bouncing around on dicks making really poor decisions (and again, not slut shaming; saying please write the sex and romance parts better).

You can do this, Diplomat. I believe in you. So please believe in me, in your audience, and clean this shit the fuck up next season, or I won’t be back, and I might not be the only one walking out on you.

I guess we’ll see where we go from here. Let’s hope it’s up, not down.

The Problem with John Walker and Fandom

This is an intervention, y’all.

Because we need to talk about John Walker and his “fandom” real quick.

Buckle up.

Disclaimer: I’m going to spoil the events of Captain America and the Winter Soldier, The Falcon and the Winter Soldier, Black Widow, Thunderbolts, and Captain America: Brave New World, so if you’re not caught up and you want to go in unspoiled, please bookmark this post and circle back once you’ve seen the missing works I’ll be discussing below.

Also, warning for language. Lots of it. Some of y’all been driving me crazy for the last three months and I’m finally addressing it today.

Now, I know I’m speaking to a somewhat limited audience, but I feel compelled to take an aside to address something that’s been bothering me intensely since the release of Marvel’s Thunderbolts this past summer. It was a film I didn’t want to watch, but I did since my grumpy cyborg husband was cast in a supporting role, so I went. It was fine for me. No more, no less, just fine.

But that’s not how other people reacted.

After I got out of the movie, I pretty much left it with very shallow impressions. For one, it feels…slightly gratuitous when you think about what was actually accomplished and established within the film, so I was already going into it knowing it’s not pointless, but it is pointless-adjacent. It doesn’t really do much but slightly advance the progression of Yelena and Red Guardian—pre-established characters that we at least know after watching Black Widow—and an inching forward for Bob (newly introduced) and Bucky. Ghost gets zero development and neither does Taskmaster since she gets shot in the fucking face in the first ten minutes (and do NOT get me started on that or you’ll hear a rant for another hour). All in all, it just moved Valentina into supervillain position when she’s already a boring, middling antagonist taking up space and it didn’t do much but tell us they cobbled together the worst “Avengers” team I’ve ever seen in my life. And that’s not because I dislike any of them other than Walker—they had trouble with one concrete wall, guys. One. Concrete. Wall. And you expect me to think they can save the world? Mmkay. “Sure, Jan.”

But the thing is…apparently, the fandom’s reaction was the opposite. I get home after the movie and find everyone on Tumblr singing its praises about how good it is. And that’s fine, but it’s also confusing and problematic as hell.

And that’s what I want to talk about today.

It’s no secret most fandom spaces are still majority white. Anyone not white that’s been in fandom for more than maybe a year or two is also painfully aware that most fandom spaces are still majority white, so we have to watch what we say and how we say it. So most of the time, I’m not participating; I’m just lurking, as I know as the resident fandom and film snob, most of the content is going to annoy me. I curate my time in fandom very strictly because I know how problematic it can get and I try my best to filter out the noise I don’t want and just find the cool folks and hang out with them.

In particular, one of the best most recent fandom moments I had was live-tweeting the Falcon and the Winter Soldier mini-series. You see, back in the year of our Lord 2021, we weren’t yet dealing with the total collapse of America, just the partial collapse of America, and so I was still using Twitter and live-tweeting during the show’s debut, and it was fantastic. It remains the best show for me personally of all the Marvel shows (though I enjoyed the heck out of Echo, Moon Knight, and Ms. Marvel) since for me, it was the first time that Marvel Studios actively felt like taking a stance on an issue of not only race, but the discussion about justice versus vengeance. It wasn’t that Marvel had never taken one at all; this, to me, was the first time Marvel overtly said that bigotry, racism, and prejudice are just as rampant in the MCU as it is in the real world, and burying your head in the sand or becoming too cynical to help is not going to make things better for anyone nor you. It openly discussed things like microaggressions, double standards, and the trouble with mental health among veterans with PTSD. To me, it was a wonderfully balanced and excellent show that could make me laugh as much as it could make me cry, and the fact that the antagonist was a sympathetic woman of color used and manipulated by an evil, entitled white bitch was thematically on point for me. (Rot in hell, Sharon Carter. We know you’ll never get what’s coming to you. You suck.)

I remember when John Walker’s Baron von Underbite ass first showed his face on the Falcon and the Winter Soldier. As intended, he was met with instant hatred and ridicule, and that was always the intention for him. Everything about him is problematic as a creative choice to talk about what a fucking problem America has with patriotism. The MCU America was just so fucking desperate to elevate a white man in the absence of Steve Rogers that they picked the worst possible candidate and put lipstick on a pig to pass this bum off as Captain America, as if that title is just a shield that anyone can hold. Hell to the naw, bruh. That’s not Captain America. That’s Captain Colonizer, as the brilliant Nicque Marina called him during her absolutely fantastic series of FATWS skits on TikTok and Instagram. When John Walker premiered, he was the laughingstock of the Internet, generating an avalanche of hilarious memes, and it was a great time to be alive because almost everyone was on the same page: “This guy is a wannabe government stooge that’s not fit to wipe Steve Rogers’ ass and we’re going to talk about why this entire thing is a sham.” The best thing I ever heard regarding it is that John Walker is who America really is, Steve Rogers is who America thinks it is, and Sam Wilson is who America should be. I agree 100%.

But here’s the thing.

While John Walker is certainly just a lightning rod for your hatred as the antagonist of the show, he’s also written very well as a problematic white man that thinks he’s the solution to America’s problems. They don’t just dump him out there as a one-dimensional bully like Ronan from Guardians of the Galaxy. The writing for the show is excellent, so they do cast a slightly sympathetic edge to Walker in that he goes so gung-ho about being Captain America that he crosses the damn line and murders an innocent man (and please note, innocent of the crime of murdering Lemar, not innocent in general; the guy was an ecoterrorist responsible for the deaths of others, so again, innocent of this particular crime is what I’m talking about there) and then acts shocked he’s then demoted and the title is rescinded.

What I also found very well done was the fact that it’s very clear Walker did not receive a redemption arc in canon. He is meant to be seen as a problematic person who thinks that his station in the military means he doesn’t have to listen, reason, understand, or sympathize. John Walker is a weapon made by our own rotten government who abuses his power to get what he wants and make demands to others he has no right to make. We see he is a lying coward when he confronts Lemar’s grieving family and he is so convinced he’s a good soldier that he keeps carrying around a flimsy shield to relive his glory days (aka five minutes) when he was Captain America. Like a lot of white men in America, he is obsessed with wearing rose-colored glasses about his tenure as “Cap” instead of learning from the experience and becoming a better person. This fact is evidenced in Thunderbolts when it’s revealed Walker became full on emotionally (and possibly physically) abusive to his black wife and biracial son, screaming at her when she asks him to properly watch over their son while he’s in the middle of brooding about his failed attempt to be Captain America.

Remember this part. This part is important for later.

The Falcon and the Winter Soldier remains a well-regarded show to this very day, and I still reference it frequently, as do other people, and so time went on and then they introduced what Captain America: Brave New World would be about, which is Sam adopting the mantle and taking his rightful place as Captain America in an America that would see him hang. I’m going to try my best not to slide into my rant about everyone’s lack of support for Cap 4, but I do need to talk about it so you can understand why I’m even writing this post to begin with.

I loved Captain America: Brave New World, and I am livid that everyone made a concerted effort to make it the least amount of money possible for downright hypocritical reasons. But that’s not what I want to talk about today, if ever. I left the theater ecstatic, knowing the movie certainly had issues, but overall, it left me feeling so warm and encouraged because the message that I took from it was, “Even in the midst of a corrupt government that is oppressing its own people, if you have the ability to stand up to protect innocent people, it is the responsible thing to do to still save them in spite of the system itself being utterly corrupt and horrid.” That movie was not about patriotism, and I’m sick of every last person that said as much, as I feel like we ain’t watch the same fucking movie. There are several lines that directly address the moral quandary of being a black Captain America in a corrupt ass America. Sam knows that Ross is a sack of shit that ain’t gonna change, but that doesn’t mean he should stop helping to save people in harm’s way thanks to Ross’ shitty ass agenda. He goes out of his way to be merciful and understanding when needed, but also beat dat ass when it’s necessary (that fuckin’ dropkick impregnated me, it was so fuckin’ dope) and not shy away from the fact that Sam was trying to exonerate Isaiah Bradley the same way Steve was trying to exonerate Bucky when Zemo framed Bucky for King T’Chaka’s murder. And yet the response to Sam trying to save his friend was totally different from how Steve was treated, and his movie was also treated differently by a fandom that whines all day long about the mistreatment of black characters, but yet it abandons them at the first sign of trouble or even just plain dislike. Everyone found every single excuse as to why they didn’t see Cap 4, and I don’t think that’s an accident.

But here’s my point: why is it that Sam Wilson, no matter how much he sacrifices and no matter how good he tries to be, is not good enough for the MCU fandom…and yet after Thunderbolts, John Walker’s a “Woobie blorbo” that I should accept as just a “misunderstood misfit”?

And try to read between the lines here.

Why is a dark-skinned black man from New Orleans who worked his ass off and is a genuinely good person now considered second fiddle to a literal abusive white supremacist sociopath?

Gee.

I wonder why, fandom.

I wonder why.

Let’s circle back to what I talked about earlier. I got back from Thunderbolts, posted that it was mediocre, and went about my life. While I did not particularly care about it, I did like some of Bucky’s scenes (look, I’m just a squirrel tryin’ to get a nut, SO WHAT’S UP SEBASTIAN STAN?!) and so I basically marked a tag on Tumblr so that I could check each day to see when Bucky’s scenes from the movie would be in .gif form in high quality.

And a byproduct of my thirsty ass doing that means unfortunately, I saw in real time when the tide turned of the white half of the fandom now infantilizing and de-demonizing John fucking Walker after his appearance in Thunderbolts.

And I’m still so angry I cannot even express myself.

Look, let’s stop for a second before you twist your face up at me. I’m not talking about liking problematic characters. Bitch, please—if I threw that stone, my entire house would come crashing down. I love Loki, and that motherfucker is the most problematic demigod we have in the MCU, so I’m not talking about simply liking someone that’s either bad or unforgivable. What I’m talking about is how this fandom is content to forgive John Walker of all his crimes when he has not done one single thing that indicates he is worthy of being forgiven, and how the same white fans that praise Walker and say we should forgive him too spend every single second tearing down Sam Wilson and giving him no sympathy and no credit for anything he’s ever done, all while still moaning that they miss Steve Rogers.

Fandom doesn’t care who hears them bleating.

But guess what, white fandom?

People of color hear you and see you doing this shit. Yes, we listen. Yes, we remember.

This is some fucked up behavior and I’m tired of pretending it’s not.

I’m not even going to ask how you can reach inside yourself and sympathize with John Walker over Sam Wilson because I don’t know you as a person. What I’m talking about is how it’s ridiculous to heap praise onto an outright abusive white man that in no way is portrayed in a positive light—even to the degree that everyone in canon ridicules him for being a bossy, arrogant, slimy, selfish jerk—no reason other than you desperately need an excuse not to accept Sam Wilson as Captain America. It is perfectly fine to not like Sam Wilson nor Anthony Mackie. It is perfectly fine to not like Captain America: Brave New World. This is about the fact that y’all don’t want to face your own prejudices when you make these long posts about how we should feel sorry for Walker, and yet you can’t ever drum up sympathy for anything Sam’s been put through since his introduction in Captain America: The Winter Soldier. You need to understand that we hear this crap and it makes us never want to interact with fandom again when the hypocrisy is on full display the way it is in the MCU fandom, to the degree I no longer track MCU tags and have to block John Walker x Reader fics (yes, those are fucking real, and do not get me fucking started) in the Bucky Barnes gif tag where I just want to look at my grumpy cyborg husband in peace. I have to now dodge post after fucking post insisting John Walker is a poor misunderstood soul, not a violent criminal who was willing to ditch everyone to save himself.    

Do you see the picture forming yet?

What I am really asking you is: why, as a black fangirl, am I told to forgive and accept John Walker when the fandom is not even remotely willing to accept any part of Sam Wilson?

Let that sit with you for a second. Does it make you uncomfortable? It fucking should. Again, this is not about “Sam is better/likable.” I am talking about a double standard in which a white antagonist is seen by this fandom as more sympathetic than a black protagonist that has sacrificed literal life and limb for the very same world, yet he’s just insulted non-stop by that same fandom. No one is asking you not to sympathize with Walker—he is a character written well enough that there is an angle in which you can find something to feel sorry for him about. My problem is that no matter what good Sam does, these same people reject him but accept Walker’s unapologetically awful behavior no questions asked.  

And I am the one saying this behavior should be called out more in fandom spaces. Not silenced and ignored and buried.

Like who you like. No one will ever stop you.

But you also need to pay attention to hidden biases and ugly behaviors that are toxic and indicative of a much larger psychological problem.

Again, this is not to say I don’t have those same biases. Of course I do. We all do. I try my best to dig inside myself and follow the thread about why I feel strongly about something and then stay aware that I can accidentally be problematic by not following the thread to its origin. I’m sure many other people do the same. All I am saying is we need to pay attention to problematic behavior in majority white fandom spaces instead of burying our heads in the sand. It’s hard for POC to find community when that sort of attitude is stinking up the joint. And fandom is meant to be shared among everyone, not a select few, and certainly not by perpetuating unhealthy reactions to characters based on their race.  

For God’s sake, just look at Bucky’s fucking face when you leave him with a bunch of problematic white people.

LOOK WHAT HAPPENS WHEN YOU DON’T LEAVE UNCLE BUCKY WITH AUNT SARAH AND HIS CHILDREN IN NEW ORLEANS HE IS SO TIRED BEING AROUND OTHER WHITE PEOPLE IF YOU DON’T LET THIS POOR MAN FUCKING REST AND BE WITH THE BLACK PEOPLE HE WANTS TO BE AROUND OOH I SWEAR FO’ GOD MARVEL—

Ahem. Sorry, lost the thread there, I’m done.

Look, all I want is for us to all row this boat together instead of squabbling about where the shit is going, okay? Just think before you post. Think about why you have all these problems with Sam, yet no problems with Walker, and I genuinely think the MCU fandom would air out a little bit more toxicity if people would be willing to do so.

But what do I know?

“Just fishin’ in the dark, son.”

Kyoko