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The Problem with John Walker and Fandom

This is an intervention, y’all.

Because we need to talk about John Walker and his “fandom” real quick.

Buckle up.

Disclaimer: I’m going to spoil the events of Captain America and the Winter Soldier, The Falcon and the Winter Soldier, Black Widow, Thunderbolts, and Captain America: Brave New World, so if you’re not caught up and you want to go in unspoiled, please bookmark this post and circle back once you’ve seen the missing works I’ll be discussing below.

Also, warning for language. Lots of it. Some of y’all been driving me crazy for the last three months and I’m finally addressing it today.

Now, I know I’m speaking to a somewhat limited audience, but I feel compelled to take an aside to address something that’s been bothering me intensely since the release of Marvel’s Thunderbolts this past summer. It was a film I didn’t want to watch, but I did since my grumpy cyborg husband was cast in a supporting role, so I went. It was fine for me. No more, no less, just fine.

But that’s not how other people reacted.

After I got out of the movie, I pretty much left it with very shallow impressions. For one, it feels…slightly gratuitous when you think about what was actually accomplished and established within the film, so I was already going into it knowing it’s not pointless, but it is pointless-adjacent. It doesn’t really do much but slightly advance the progression of Yelena and Red Guardian—pre-established characters that we at least know after watching Black Widow—and an inching forward for Bob (newly introduced) and Bucky. Ghost gets zero development and neither does Taskmaster since she gets shot in the fucking face in the first ten minutes (and do NOT get me started on that or you’ll hear a rant for another hour). All in all, it just moved Valentina into supervillain position when she’s already a boring, middling antagonist taking up space and it didn’t do much but tell us they cobbled together the worst “Avengers” team I’ve ever seen in my life. And that’s not because I dislike any of them other than Walker—they had trouble with one concrete wall, guys. One. Concrete. Wall. And you expect me to think they can save the world? Mmkay. “Sure, Jan.”

But the thing is…apparently, the fandom’s reaction was the opposite. I get home after the movie and find everyone on Tumblr singing its praises about how good it is. And that’s fine, but it’s also confusing and problematic as hell.

And that’s what I want to talk about today.

It’s no secret most fandom spaces are still majority white. Anyone not white that’s been in fandom for more than maybe a year or two is also painfully aware that most fandom spaces are still majority white, so we have to watch what we say and how we say it. So most of the time, I’m not participating; I’m just lurking, as I know as the resident fandom and film snob, most of the content is going to annoy me. I curate my time in fandom very strictly because I know how problematic it can get and I try my best to filter out the noise I don’t want and just find the cool folks and hang out with them.

In particular, one of the best most recent fandom moments I had was live-tweeting the Falcon and the Winter Soldier mini-series. You see, back in the year of our Lord 2021, we weren’t yet dealing with the total collapse of America, just the partial collapse of America, and so I was still using Twitter and live-tweeting during the show’s debut, and it was fantastic. It remains the best show for me personally of all the Marvel shows (though I enjoyed the heck out of Echo, Moon Knight, and Ms. Marvel) since for me, it was the first time that Marvel Studios actively felt like taking a stance on an issue of not only race, but the discussion about justice versus vengeance. It wasn’t that Marvel had never taken one at all; this, to me, was the first time Marvel overtly said that bigotry, racism, and prejudice are just as rampant in the MCU as it is in the real world, and burying your head in the sand or becoming too cynical to help is not going to make things better for anyone nor you. It openly discussed things like microaggressions, double standards, and the trouble with mental health among veterans with PTSD. To me, it was a wonderfully balanced and excellent show that could make me laugh as much as it could make me cry, and the fact that the antagonist was a sympathetic woman of color used and manipulated by an evil, entitled white bitch was thematically on point for me. (Rot in hell, Sharon Carter. We know you’ll never get what’s coming to you. You suck.)

I remember when John Walker’s Baron von Underbite ass first showed his face on the Falcon and the Winter Soldier. As intended, he was met with instant hatred and ridicule, and that was always the intention for him. Everything about him is problematic as a creative choice to talk about what a fucking problem America has with patriotism. The MCU America was just so fucking desperate to elevate a white man in the absence of Steve Rogers that they picked the worst possible candidate and put lipstick on a pig to pass this bum off as Captain America, as if that title is just a shield that anyone can hold. Hell to the naw, bruh. That’s not Captain America. That’s Captain Colonizer, as the brilliant Nicque Marina called him during her absolutely fantastic series of FATWS skits on TikTok and Instagram. When John Walker premiered, he was the laughingstock of the Internet, generating an avalanche of hilarious memes, and it was a great time to be alive because almost everyone was on the same page: “This guy is a wannabe government stooge that’s not fit to wipe Steve Rogers’ ass and we’re going to talk about why this entire thing is a sham.” The best thing I ever heard regarding it is that John Walker is who America really is, Steve Rogers is who America thinks it is, and Sam Wilson is who America should be. I agree 100%.

But here’s the thing.

While John Walker is certainly just a lightning rod for your hatred as the antagonist of the show, he’s also written very well as a problematic white man that thinks he’s the solution to America’s problems. They don’t just dump him out there as a one-dimensional bully like Ronan from Guardians of the Galaxy. The writing for the show is excellent, so they do cast a slightly sympathetic edge to Walker in that he goes so gung-ho about being Captain America that he crosses the damn line and murders an innocent man (and please note, innocent of the crime of murdering Lemar, not innocent in general; the guy was an ecoterrorist responsible for the deaths of others, so again, innocent of this particular crime is what I’m talking about there) and then acts shocked he’s then demoted and the title is rescinded.

What I also found very well done was the fact that it’s very clear Walker did not receive a redemption arc in canon. He is meant to be seen as a problematic person who thinks that his station in the military means he doesn’t have to listen, reason, understand, or sympathize. John Walker is a weapon made by our own rotten government who abuses his power to get what he wants and make demands to others he has no right to make. We see he is a lying coward when he confronts Lemar’s grieving family and he is so convinced he’s a good soldier that he keeps carrying around a flimsy shield to relive his glory days (aka five minutes) when he was Captain America. Like a lot of white men in America, he is obsessed with wearing rose-colored glasses about his tenure as “Cap” instead of learning from the experience and becoming a better person. This fact is evidenced in Thunderbolts when it’s revealed Walker became full on emotionally (and possibly physically) abusive to his black wife and biracial son, screaming at her when she asks him to properly watch over their son while he’s in the middle of brooding about his failed attempt to be Captain America.

Remember this part. This part is important for later.

The Falcon and the Winter Soldier remains a well-regarded show to this very day, and I still reference it frequently, as do other people, and so time went on and then they introduced what Captain America: Brave New World would be about, which is Sam adopting the mantle and taking his rightful place as Captain America in an America that would see him hang. I’m going to try my best not to slide into my rant about everyone’s lack of support for Cap 4, but I do need to talk about it so you can understand why I’m even writing this post to begin with.

I loved Captain America: Brave New World, and I am livid that everyone made a concerted effort to make it the least amount of money possible for downright hypocritical reasons. But that’s not what I want to talk about today, if ever. I left the theater ecstatic, knowing the movie certainly had issues, but overall, it left me feeling so warm and encouraged because the message that I took from it was, “Even in the midst of a corrupt government that is oppressing its own people, if you have the ability to stand up to protect innocent people, it is the responsible thing to do to still save them in spite of the system itself being utterly corrupt and horrid.” That movie was not about patriotism, and I’m sick of every last person that said as much, as I feel like we ain’t watch the same fucking movie. There are several lines that directly address the moral quandary of being a black Captain America in a corrupt ass America. Sam knows that Ross is a sack of shit that ain’t gonna change, but that doesn’t mean he should stop helping to save people in harm’s way thanks to Ross’ shitty ass agenda. He goes out of his way to be merciful and understanding when needed, but also beat dat ass when it’s necessary (that fuckin’ dropkick impregnated me, it was so fuckin’ dope) and not shy away from the fact that Sam was trying to exonerate Isaiah Bradley the same way Steve was trying to exonerate Bucky when Zemo framed Bucky for King T’Chaka’s murder. And yet the response to Sam trying to save his friend was totally different from how Steve was treated, and his movie was also treated differently by a fandom that whines all day long about the mistreatment of black characters, but yet it abandons them at the first sign of trouble or even just plain dislike. Everyone found every single excuse as to why they didn’t see Cap 4, and I don’t think that’s an accident.

But here’s my point: why is it that Sam Wilson, no matter how much he sacrifices and no matter how good he tries to be, is not good enough for the MCU fandom…and yet after Thunderbolts, John Walker’s a “Woobie blorbo” that I should accept as just a “misunderstood misfit”?

And try to read between the lines here.

Why is a dark-skinned black man from New Orleans who worked his ass off and is a genuinely good person now considered second fiddle to a literal abusive white supremacist sociopath?

Gee.

I wonder why, fandom.

I wonder why.

Let’s circle back to what I talked about earlier. I got back from Thunderbolts, posted that it was mediocre, and went about my life. While I did not particularly care about it, I did like some of Bucky’s scenes (look, I’m just a squirrel tryin’ to get a nut, SO WHAT’S UP SEBASTIAN STAN?!) and so I basically marked a tag on Tumblr so that I could check each day to see when Bucky’s scenes from the movie would be in .gif form in high quality.

And a byproduct of my thirsty ass doing that means unfortunately, I saw in real time when the tide turned of the white half of the fandom now infantilizing and de-demonizing John fucking Walker after his appearance in Thunderbolts.

And I’m still so angry I cannot even express myself.

Look, let’s stop for a second before you twist your face up at me. I’m not talking about liking problematic characters. Bitch, please—if I threw that stone, my entire house would come crashing down. I love Loki, and that motherfucker is the most problematic demigod we have in the MCU, so I’m not talking about simply liking someone that’s either bad or unforgivable. What I’m talking about is how this fandom is content to forgive John Walker of all his crimes when he has not done one single thing that indicates he is worthy of being forgiven, and how the same white fans that praise Walker and say we should forgive him too spend every single second tearing down Sam Wilson and giving him no sympathy and no credit for anything he’s ever done, all while still moaning that they miss Steve Rogers.

Fandom doesn’t care who hears them bleating.

But guess what, white fandom?

People of color hear you and see you doing this shit. Yes, we listen. Yes, we remember.

This is some fucked up behavior and I’m tired of pretending it’s not.

I’m not even going to ask how you can reach inside yourself and sympathize with John Walker over Sam Wilson because I don’t know you as a person. What I’m talking about is how it’s ridiculous to heap praise onto an outright abusive white man that in no way is portrayed in a positive light—even to the degree that everyone in canon ridicules him for being a bossy, arrogant, slimy, selfish jerk—no reason other than you desperately need an excuse not to accept Sam Wilson as Captain America. It is perfectly fine to not like Sam Wilson nor Anthony Mackie. It is perfectly fine to not like Captain America: Brave New World. This is about the fact that y’all don’t want to face your own prejudices when you make these long posts about how we should feel sorry for Walker, and yet you can’t ever drum up sympathy for anything Sam’s been put through since his introduction in Captain America: The Winter Soldier. You need to understand that we hear this crap and it makes us never want to interact with fandom again when the hypocrisy is on full display the way it is in the MCU fandom, to the degree I no longer track MCU tags and have to block John Walker x Reader fics (yes, those are fucking real, and do not get me fucking started) in the Bucky Barnes gif tag where I just want to look at my grumpy cyborg husband in peace. I have to now dodge post after fucking post insisting John Walker is a poor misunderstood soul, not a violent criminal who was willing to ditch everyone to save himself.    

Do you see the picture forming yet?

What I am really asking you is: why, as a black fangirl, am I told to forgive and accept John Walker when the fandom is not even remotely willing to accept any part of Sam Wilson?

Let that sit with you for a second. Does it make you uncomfortable? It fucking should. Again, this is not about “Sam is better/likable.” I am talking about a double standard in which a white antagonist is seen by this fandom as more sympathetic than a black protagonist that has sacrificed literal life and limb for the very same world, yet he’s just insulted non-stop by that same fandom. No one is asking you not to sympathize with Walker—he is a character written well enough that there is an angle in which you can find something to feel sorry for him about. My problem is that no matter what good Sam does, these same people reject him but accept Walker’s unapologetically awful behavior no questions asked.  

And I am the one saying this behavior should be called out more in fandom spaces. Not silenced and ignored and buried.

Like who you like. No one will ever stop you.

But you also need to pay attention to hidden biases and ugly behaviors that are toxic and indicative of a much larger psychological problem.

Again, this is not to say I don’t have those same biases. Of course I do. We all do. I try my best to dig inside myself and follow the thread about why I feel strongly about something and then stay aware that I can accidentally be problematic by not following the thread to its origin. I’m sure many other people do the same. All I am saying is we need to pay attention to problematic behavior in majority white fandom spaces instead of burying our heads in the sand. It’s hard for POC to find community when that sort of attitude is stinking up the joint. And fandom is meant to be shared among everyone, not a select few, and certainly not by perpetuating unhealthy reactions to characters based on their race.  

For God’s sake, just look at Bucky’s fucking face when you leave him with a bunch of problematic white people.

LOOK WHAT HAPPENS WHEN YOU DON’T LEAVE UNCLE BUCKY WITH AUNT SARAH AND HIS CHILDREN IN NEW ORLEANS HE IS SO TIRED BEING AROUND OTHER WHITE PEOPLE IF YOU DON’T LET THIS POOR MAN FUCKING REST AND BE WITH THE BLACK PEOPLE HE WANTS TO BE AROUND OOH I SWEAR FO’ GOD MARVEL—

Ahem. Sorry, lost the thread there, I’m done.

Look, all I want is for us to all row this boat together instead of squabbling about where the shit is going, okay? Just think before you post. Think about why you have all these problems with Sam, yet no problems with Walker, and I genuinely think the MCU fandom would air out a little bit more toxicity if people would be willing to do so.

But what do I know?

“Just fishin’ in the dark, son.”

Kyoko

Afrofuturism Short Stories by Flame Tree Publishing

I am happy to announce that I have sold a science fiction short story to an upcoming anthology by Flame Tree Publishing! I’m in there with a few familiar favorites like Linda D. Addison and Maurice Broaddus, so please check below for more details and watch this space for the release date announcement!

We’re pleased to announce the authors included in our upcoming anthology: Afrofuturism Short Stories! Earlier this year, we opened for submissions that explore the many angles and interpretations of Afrofuturism, a genre and an aesthetic that envisages all kinds of Black futures, alternative pasts and possibilities. Award-winning author of Everfair, Nisi Shawl, provides the foreword, alongside an insightful introduction by Associate Editor Dr. Sandra M. Grayson and invaluable editorial support from Sistah Sci-Fi founder Isis Asare. We’re delighted to have chosen the stories below for inclusion:

Forward Agenda by Abíọ́dún Abdul

Twice, At Once, Separated by Linda D. Addison

Revolution in the Soil by Aishatu Ado

The Grief Pilgrim by Aishatu Ado

Flight Pattern by Azure Arther

The Adoration of Random Strangers by Azure Arther

The Water Runner by Eugen Bacon

Danakil by Steven Barnes

Easel Isle by Kayla Baskins

The Migration Suite: A Study in C Sharp Minor by Maurice Broaddus

Kemi and the Sacred Amulet: Collected Pataki Vol. 1 by Alan Ceaser

Nikki’s Rockin’ Rocket Curls and Cuts by Tiffany M. Davis

Eyes of a Living Planet by Yazeed Dele-Azeez

Like Daughter by Tananarive Due

The Heartware Protocol by Christian Emecheta

The Seventy-year-old Corpse Harvester by Naomi Eselojor

The Worth of a Nation by Minister Faust

Familiar Planet by Gabrielle Emem Harry

Invocations and Car Songs by Akua Lezli Hope

Timbuctoo by Akua Lezli Hope

Hum by Melissa Jackson-Wagner

Foundling by Tenea D. Johnson

Gilded Throne on a Mound of Ash by B.T. Karuma

The Devil’s Metamorphosis by B.T. Karuma

The Underground Railroad of Entanglement by Astra Lee

Comfort by Kyoko M.

Progenitor by Kay Mabasa

A Manual on Different Options of How to Bring a Loved One to Life by Oyedotun Damilola Muees

Our Soil by Masimba Musodza

The Long Way Home by Kortney Nash

The Night Market by Chinelo Onwualu

To Have Your Beans and Eat Them Too by J.V. Sadler

Are We Yet Worthy by T.M. Sayed

New Action by Nisi Shawl

Ten Pieces by Ran Walker

These selected stories will appear alongside classic Afrofuturist examples by John Akomfrah (Director), Samuel R. Delany, Pauline E. Hopkins and George S. Schuyler.

ConTinual Comics Lair: Catwoman Panel

If you know anything about me, you know I am the biggest fan of Ms. Selina Kyle (even named my fur baby after her, as you can see) and so I was delighted to be with my two cohorts to discuss the tales and tails of Catwoman throughout the years on ConTinual’s Comics Lair. Please enjoy!

https://www.facebook.com/nancy.northcott.1/videos/677740851745478?idorvanity=563373290941914

ConTinual Comics Lair Presents Captain America: The Shield of Sam Wilson anthology panel

It is Sam Wilson’s year in 2025 and I couldn’t be happier for him. I’m overjoyed at the success of Captain America: Brave New World, and just as excited to say that we have hosted a free virtual panel through ConTinual featuring several of the authors of the Captain America: The Shield of Sam Wilson anthology. Each author talks about their unique short story with yours truly hosting, so if you’d like to learn more about our anthology, click the link below and enjoy!

ConTinual Comics Lair Presents Captain America: Brave New World

Loved Sam Wilson’s latest journey? Me too!

At the end of Avengers: Endgame, Steve Rogers passed his shield and his mantle to Sam Wilson. In The Falcon and the Winter Soldier, Sam made his peace with that and accepted his legacy. Now, in Captain America Brave New World, Sam has his first full-fledged outing as Cap.

Join guest moderator Kyoko M, guests Louise Herring-Jones, Andrea Maldonado, Marx Pyle, and Wayland Smith, and me in the Comics Lair as we discuss this movie.

https://www.facebook.com/nancy.northcott.1/videos/1115884383627158

Enjoy!

JordanCon 2025 Schedule

I am VERY pleased to say I have been accepted as a guest to JordanCon once again and I have my final schedule to share with you all!

Join us at JordanCon Friday, April 25th through April 27th for science fiction, fantasy, horror, and everything Wheel of Time!

An Ode to Val Kilmer

Oh, good. Now I have no house AND no Val Kilmer. Congratulations, 2025. You ARE the worst year since 2020, fucking confirmed. Good job. Pat yourself on the fucking back.

Like Andre Braugher…I’mma just be real. I’m not sad. I’m angry. All the rotten little shits in this world and you take one of the most dedicated, talented actors of all time from us in this wretched year. Death is a fucking coward and this shit proves it.

Sigh. I don’t know where to start. I’ve had a deep connection to Val Kilmer’s career from the tender age of just 7 years old. He and Kevin Conroy are both solely responsible for getting me into Batlife. I’m not joking. I know that sounds odd, but let me explain.

So when you’re a seven year old, a kid friendly Batman for your already Bat-loving kid is a great idea, so I’m quite sure my parents took us to see Batman Forever. But forgetting that part, I quite literally had Batman Forever on repeat as a kid. I was obsessed. And it was of course just being a young girl infatuated with the man I consider the most attractive Bruce Wayne of the cinematic actors, but also just a dynamic, funny, colorful film where everyone committed to the cheesiness, but shockingly, the storyline still hearkened back to the comics. It’s for this reason I’ve always been fond of the movie despite knowing it heavily deviates from the comic book source it comes from. I think because they were still able to capture Bruce’s essence in the serious moments, I was still able to just love the movie.

And I really mean this—Val Kilmer is fucking why.

When people compare our Batmen so far, I know Kilmer routinely ranks low since his movie deviates so heavily from the source material (and by that, I mean Two Face’s personality being wrong and the overall tone, if you want to get specific), but I have always made a case for him during this conversation. I truly think he played Bruce as a quietly tortured man struggling with his need to save his city against the idea that he could actually be happy with a smart, strong, intelligent, compassionate woman. I LOVE that. I mean that sincerely. I absolutely fell in love with his Bruce. I loved his quiet strength. I loved his maturity. I loved his moral center. I loved his need to protect Dick Grayson and care for someone who understands that level of trauma. I know it’s odd since I’m such a stickler for canon, but in this case, I really felt Kilmer took this role and elevated it. He was a great duality of protector and caretaker, to Alfred, to Dr. Chase Meridian, and to Dick Grayson most of all. I truly admired the role and how Kilmer chose to play it. I felt that he made Bruce so accessible and so easy to root for, and he filled in all the things that I felt were a bit cold about Keaton’s performance (which is amazing, don’t get me wrong, but it’s just not the one for me). I think most of all, I was always drawn to his emotional vulnerability in a genre that’s usually very driven by testosterone. Granted, there’s always the “chicks love the car” comment, but honestly, I still chuckle at that line in spite of the ill-intent it might’ve had.

So aside from being the gateway into a pillar of my mental health, why else am I sitting here feeling low about the death of Val Kilmer?

Two words, hoes.

Doc. Fucking. Holliday.

If you’ve lived under a rock or simply don’t watch westerns (and I don’t either, I can barely name ten I like), you may have missed the most nuanced, incredible, dynamic, complicated character based on the real life figure. And oh…let me tell you ‘bout Mistah Holliday.

Now, even if you’ve never seen Tombstone, odds are at some point in your life, you’ve heard someone quote Doc fuckin’ Holliday. See if any of these gemstones sound familiar?

“I’m ya Huckleberry.”

“Say when.”

“What about you? You retired too?” “Not me. I’m in my prime.”

“Look, darlin’. That there’s Johnny Ringo. The deadliest pistoleer since Wild Bill, they say. You think I should hate ‘im?” “You don’t even know him.” “I don’t know. There’s just somethin’ about him. I don’t know. Reminds me of…me. It’s somethin’ ‘round the eyes. Yes. I’m sure of it. I hate him.”

“I got you now, you son of a bitch!” “You’re a daisy if ya do!”

“The drunk piano player. You’re so drunk, you can’t hit nothing. In fact, you’re probably seeing double.” “I have two guns. *rotates them counter clockwise in opposite fucking directions* One for each of ya.”

“Why, Johnny Ringo. You look like somebody just walked over your grave.”

“Why are you doing this, Doc? You should be in bed.” “Wyatt Earp is my friend.” “Hell, I got lots of friends.” “I don’t.”

“I might not have been as sick as I let on.”

Any of that sound familiar? Welcome to the incredible fucking writing to the 1993 woefully ignored classic, Tombstone.

And Tombstone most certainly is what it is because of Val Kilmer.

So not only was it a star studded cast of incredible actors (and Bill Paxton; I keed, I keed), the writing is simply sublime. It’s an impeccable fucking script that is so sharp, it could cut you to ribbons faster than Wyatt Earp himself. Honestly, the only thing that doesn’t work about it is the romance. It’s very unnecessary if you ask me, but it’s such a small footnote on a fantastic film.

What really works about Doc is he is a study in contrasts. This is a man with nothing to lose. He is the fastest draw in the country and when you see him at work, it’s a real treat. But he’s not just a stone cold badass. The true delight of Doc is the fact that he has a Silvertongue and he is also one of the most recklessly sarcastic motherfuckers to ever grace the silver screen. You absolutely cannot take your eyes off Doc for a single moment when he’s on screen. He owns the room, he owns the movie, and the real reason I knew the Academy was bullshit was them snubbing him that year. The performance was so amazing that one half of Siskel and Ebert originally didn’t like Val Kilmer, but he heard SO many people compliment his performance in Tombstone that he broke down, watched it, and came out with a glowing review. He converted a whole ass movie critic. Come on! Y’all gotta give it up for my boy.

And then…there’s Top Secret.

Do you love Airplane? Do you love Blazing Saddles? Top Secret is for you! Often overlooked since it wasn’t a big budget sort of affair, Top Secret is an absolutely delightful parody of spy and espionage films. It throws in oodles and oodles of references, time period or even just topical, and it’s just full to bursting with hilarious visual gags and stunts. Kilmer plays an Elvis-y rock singer who accidentally stumbles his way into a plot involved with World War II. It sounds like that wouldn’t work at all, but the zany antics are fast paced and creative and so endearing. It’s full of some of my favorite gags and bits in comedy, and Kilmer’s comedic timing is just as good here as it was in Tombstone. It’s also when he was at his youngest and cutest, so there’s also the added benefit of eye candy on top of the laughs. It’s truly a classic and if you’ve not enjoyed it, please give it a shot. It’s very silly, but very worth it.

And those are just three examples of what this man meant to me.

For a time, Val Kilmer was my safe place. As an awkward bookish kid, I always dreamt of being grown up and beautiful and smart like Dr. Chase Meridian so I could romance Bruce Wayne, and that Bruce Wayne in particular. I quote Tombstone on a weekly fucking basis. I’ve seen it dozens of times and it’s just as incredible each time. I know all the words to “Are You Lonesome Tonight?” I know how to straighten the rug.

And Val Kilmer did all of that…for me.

I don’t know how to say goodbye, Val. I just don’t. I wish I could find the words, but they’re not here. They’re gone with you on the horizon.

We lost a huge light today. Cinema will never be the same.

But don’t cry because it’s over. Smile because it happened.

You gave us so much, Val.

You gave me so much.

Every time I rewatch Batman Forever, Tombstone, Top Secret, The Ghost and The Darkness, Willow, and any of the other truly incredible roles you’ve done over the years…I will remember you and smile. You will never ever be forgotten. You brought me so much joy. You did it better than anyone. You were a legend and your legacy will live on forever on our screens and in our hearts.

Goodbye, my beloved Bruce Wayne.

Goodbye, Val.

We love you always.

A Hurting Fangirl,

Kyoko  

Atlanta Sci-Fi and Fantasy Expo 2025: Same Shield, But With a Twist: Sam Wilson as Our New Captain America Panel

Live in the Atlanta area and got some free time on Saturday, March 15th, 2025 at noon? Then please join me, Glenn Parris, Violette Meier, and Robert Jeffrey II for our presentation of our panel, “Same Shield, But With a Twist: Sam Wilson as Our New Captain America,” at noon in Panel Room 1. The Atlanta Sci-Fi and Fantasy Expo is a totally free event held at Northlake Mall in the Briarcliff Atlanta/Tucker, GA area.

Panel description: Author Kyoko M., a USA Today bestselling writer known for her urban fantasy series The Black Parade and the science fiction series Of Cinder and Bone, will lead a discussion on the background, comics, and Marvel Cinematic Universe adaptation of Sam Wilson’s journey to becoming Captain America. The panel will explore Sam’s significance in America today and his profound impact on the comic book world. The conversation will address the good, the bad, and the challenges of how fandom has responded to his transition from The Falcon to the new Captain America. Additionally, the discussion will touch on the latest movie and the anthology Captain America: The Shield of Sam Wilson, to which Kyoko M. and Glenn Parris are contributing authors. There will be a short Q & A at the end of the panel, so please bring along your questions!

Interested? Find all the information here and we’ll see you soon!

Thanks,

Kyoko

Update: Didn’t have time to make it? We’ve got you covered! Here is the panel in its entirety for your free viewing pleasure:

Black Futures Month Presented by Subsume

Register for the upcoming Subsume Summit: Black Futures Month! We have all kinds of programming available, from generative AI-discussions and demonstrations, authors and artists interviews and lectures, and much more!

Join us for Select Start!

Register for the Generative AI conversation with Dedren!

Join us for Black Comix Connect kickoff on Friday!

Follow Subsume on Facebook for updates!

Join us for the Writers’ Circle conversation!

“We Come in Peace” – Excerpt from the Spacefunk science fiction anthology

We recently had a wonderful release party for the Spacefunk anthology, so now it’s time to celebrate with an excerpt from my story, “We Come in Peace.”

Space is the Place! Over forty stories and poems by some of the best African/African Diaspora authors and poets from around the world. In Spacefunk you’ll experience amazing stories of action, adventure, hope, and escape among the stars, highlighted by the amazing cover art of South African artist Tlou Thapelo Tubz Ramatlhodi!

With stories by Linda Addison, Eugen Bacon, Maurice Broaddus, Jessica Cage, Gerald L. Coleman, Nicole Givens Kurtz, Kyoko M, Sumiko Saulson, Wole Talabi, Sheree Renee Thomas, and many more!

In my story, Captain Rosa Conroy is leading an expedition on a newly discovered planet that might be a good replacement for Earth, but there’s just one problem: the region they want to explore has sentient alien life, and the Captain’s superiors order her to raid the natives’ home. Captain Conroy is at odds with her orders to clear out the natives’ land and it lands her and her expedition right into trouble.



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