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“It’s the end of the world as we know it, and I feel fine…”
How do you say goodbye to 1/3rd
of your life?
Really. I’ve been asking myself that
in the weeks leading up to Avengers: Endgame.
And honestly, I don’t have an answer
to that question, because it’s kind of impossible.
So here’s the thing: I read comic
books as a kid when I had access to them, but I was never someone who
had a massive collection of Marvel comics. I had some of them, so
growing up I knew who the Avengers were, but not to any significant
degree other than names, powers, and aliases. Like a lot of people,
Iron Man was the first time I took notice of Marvel heroes who
weren’t Spider-Man or the X-Men, and that movie opened an entire
avenue that I don’t think any of us thought would be possible
someday.
I had already been fully on board when
the announcement that the incredible Robert Downey Jr. would be
starring as Tony Stark, and to this day, that is still one of the
all-time most perfect casting choices. Fans were dancing in the
streets when we heard it, because we all knew if nothing else, Tony
Stark would get a first-rate performance. RDJ had gotten himself back
on track after his troubled past, and we were so ready to see him
return to his former glory.
And he did just that.
To date, I still rank Iron Man in my
personal top 10 MCU films, for so many reasons, but for the sake of
this retrospective post, let me sum it up by saying it is so fitting
that we began this 11-year journey with RDJ and with Tony Stark. Iron
Man is about heart. Literally and figuratively. By being put in the
danger he found himself in, Tony inadvertently grew a heart and
became the man who so many of us will Stan until the end of time. He
had nothing but his wits and a faithful friend at his side, and when
he was told to bow to his enemies, he instead defied them and saved
himself. In doing so, it kicked off the first domino for the Marvel
Cinematic Universe, and even though it had a steady stream of
interest, everything changed when at long last our beloved heroes
teamed up for The Avengers.
The Avengers, whether you like it or
not, changed history.
There had never been an attempt to
combine solo stories of heroes on this kind of scale before, and that
was when people realized that this wasn’t just a passing fancy. The
Avengers broke box office records for a few reasons, but one that I
am quite fond of is the fact that word of mouth was so powerful. All
the hardcore fans saw it and sang its praises, but the great thing
about the Avengers is it was written in such a way that even if you
had missed the previous films, you could still enjoy it, and people
did. The non-fans took notice of that killer opening weekend and
heard the rave reviews, got curious, and saw it. And then they went
home and told everyone how phenomenal it was, and then the process
repeated itself. What I have always loved about the Avengers, and
what it began when it came out, was its inclusiveness. It had
something for everyone in it. And not only was it taken seriously, it
was given an excellent script, fantastic visuals, and a kick ass
soundtrack that still gets us hype as hell even 7 years later. Most
of us fans used to fantasize about a team up movie, never thinking it
would be possible considering all the legal and copyright hoops
studios had to jump through, but then the day arrived and it was
every single thing we dreamt it would be.
What made the Avengers so prolific was
the ability to take that many characters and tie them to each other,
giving each one time to shine in an extremely well-paced story.
Ensemble films are everywhere, but this was the first time that a
major film studio took individual heroes from their films and had
them interact, and then sent them back out on their own, with the
promise of calling them back again. What continues to impress me with
the Avengers is that everyone had a stake in the game, and everyone
contributed something. (Note: people shit on Hawkeye constantly as
the “useless” team member, but I invite you to remember that
Hawkeye nearly killed the entire team when he attacked the
heli-carrier, so honestly, the haters can shut the hell up.) Too
often movies have a group of characters who are supposed to have
specific skillsets or traits useful to either the plot or the story,
but really, there’s no reason for them to be there. (*cough* Fast
and the Furious *cough* *coughs harder* the Justice League movie
*coughs harder*) Here, you understood everything, and it all had its
own harmony to it. A great story is one in which everyone has both
inner and outer conflict, and while they butt heads, they’re
together to reach a collective goal, no matter what the cost.
And frankly, The Avengers is when shit
got real for everyone.
In my lifetime, I’ve only seen a
handful of films more than twice in theaters. I saw The Avengers in
theaters four times. The only other viewing at the time that
came close was the Dark Knight, which I also saw four times. That is
just an idea of how damn much I enjoyed that film, and what a legacy
I think it left in its wake. Even back with 2012 ticket prices, I had
such a great time that I happily bought multiple showings just to see
it again.
So after 2012 when we all found out it
was possible for something this awesome to exist, Marvel figured out
that the winning formula was not in some of the paltry tricks that
Hollywood likes to sell us, but in having a strong story with its
roots in the proper place—the comics—and in trusting the vision
of their actors and directors. In 2014, we were blessed with Captain
America: The Winter Soldier, which is arguably the best Marvel movie
period, to say nothing of one of the best comic book movies of all
time. Winter Soldier is one of the highest praised MCU films for a
tight spy-espionage story, interesting characters, a razor-sharp
script, and some of the most stunning fight choreography in film
history. It blew our minds that anything could be as good, or maybe
even better than The Avengers, and it didn’t rely on simply having
an orgy of superheroes. It was just a damn good experience in every
aspect.
Then, after the MCU films had a few
unsteady steps like Age of Ultron (which I still think is great, but
is a troubled film) and Doctor Strange, they surprised us by going
all in with two films that arguably innovated their franchise yet
again: Black Panther and Thor: Ragnarok.
Black Panther told the world what us
nerds already knew: that black people are just as interested in
science-fiction and comic books as other people, and they came out in
force. It was the most liberating experience to see a mature,
well-written, well-acted, flat-out gorgeous big budget film that was
90% black both in front of and behind the camera. Ryan Coogler went
out of his way to create an unforgettable experience that delighted
and amazed everyone in a way most people had never considered. Black
creatives have been here forever, but this was one of the first times
we were able to see it on a massive scale and for a massive audience.
Finally, we were given a voice and got to tell an excellent story
that wasn’t watered down or apologetic or riddled with stereotypes.
And with it breaking box office records, it became indisputable proof
that diversity does not lose money and it is not only welcomed, but
encouraged by the world, and I cannot thank the MCU enough for that
fact alone.
Thor: Ragnarok is living proof that you
can dust off something that was fairly good, but just needed a new
angle and make something absolutely outstanding. Remember how I said
I saw The Avengers in theaters four times? Yep. Did the same for
Thor: Ragnarok. And don’t ask me how many times I have watched it
since I got it for home release. It’s got to be 50 times by now,
honestly.
Ragnarok showed that sometimes a great,
radical idea is exactly what you need, and that if you put your trust
in the right creative mind, you can take a middle-grade character and
elevate him to a level no one thought possible. Truth be told, I
liked both of the previous Thor movies (and again, the haters can
just exit stage left, because The Dark World is nowhere near as bad
as people keep saying it is) but this pumped entirely new blood into
Thor’s veins as well as our own. One of my favorite things about
Ragnarok is that it shows the trust between the director, the cast,
and Marvel Studios. It took serious balls to pitch some of the things
that went down in Ragnarok, but thanks to the miles and miles of
talent from the movie’s cast and crew, it became a top tier MCU
film, and can easily stand next to not only some of the best comic
book movies, but some of the best comedies.
And then, while we were still reeling
from the amazing combination of Ragnarok and Black Panther…along
came Infinity War.
Infinity War once again broke the mold.
I’m fairly certain almost none of you
read my college essay-length review of Infinity War, but the main
gist of it is that there is no other film like Infinity War. Period.
And I don’t mean that in some kiss-ass way because I happen to be a
fan of the MCU. No, really, I mean it as a writer and as a creator
and as a moviegoer in general. I’ve watched hundreds of films in my
30 years of living, and I cannot name another movie that had an
impact on me the way that Infinity War did, and what’s more is that
I am not alone.
Infinity War, for me, stands on its own
category simply for the emotional depth that it was able to achieve.
It’s not just the suckerpunch ending—it’s that the film is not
only funny and action packed, but it’s a story where it took one of
the largest cast of characters in film history and still managed to
make a story for each of them, and gave each of them stakes and a
role to serve. Think about that. I mean, do you understand how much
talent it took in order for the sheer number of characters to not
only interact, but contribute to the overall plot and story in a
manner that was personal to them? In case you forgot, count them up:
the five of the six original Avengers (Steve, Tony, Bruce, Nat,
Thor), the expanded team (Sam, Rhodey, Vision, Wanda, T’Challa,
Okoye, Shuri, Bucky, Parker), and then the Guardians (Peter, Gamora,
Rocket, Drax, Groot, Nebula, Mantis), and then the villain Thanos,
not to mention introducing a few new characters like the Nidavellir
Dwarf or the Children of Thanos. Yet they were able to combine these
22 people into one story that actually made sense and was excellently
paced as it rotated between the POVs of what each of them were doing
as the events of Thanos’ terrible mission unfolded. I just don’t
think people sit down and take the time to appreciate that sort of
coordination. Not only did you have 22 people being relevant and
involved with a story, but you pulled former motivations and personal
relationships into it all to a point where there was not a dry eye in
the house at the end.
What I remember so clearly about the
premiere of Infinity War was the universal reactions from the
audience, both hardcore fans and regular viewers alike. Sometimes in
movies, you get annoyances like people or kids talking, people
checking their cell phones, etc.
Not so with Infinity War.
Everyone was absolutely enraptured.
As far as I can recall, that’s only
ever happened three other times at a movie premiere for me: The Dark
Knight and Interstellar (Note: that makes total sense to me, because
Christopher Nolan is an absolute master of storytelling and his
suspenseful scenes leave you clutching your arm rests), and I Am
Legend.
And that ending to Infinity War?
Jesus Christ.
The absolute stunned silence when those
credits rolled after our heroes lost the war was devastating.
All I could hear was the sound of
people everywhere crying, myself included.
It’s not about movies that make you
cry. Plenty of movies have the ability to do that.
It’s about the fact that this same
phenomenon happened in damn near every theater in every state and
every country during their premieres.
We’re talking a universal experience.
How fucking cool is that?
Am I alone in thinking that it’s so
amazing that they could dig so deep into our hearts that all of us
from all walks of life sat there with tears streaming down our faces,
feeling like Thanos personally walked up and walloped us in the gut
with that gauntlet? No matter who you are, you probably have at least
one favorite MCU character, and what’s so prolific about Infinity
War is that in the end, it’s about every character’s nightmare
coming true.
Think about it.
Steve’s fear was of losing his
friends, especially his best friends Bucky and Sam.
Peter’s fear was of losing Gamora.
Tony’s fear was of losing the war and
being a survivor of the devastation.
Gamora’s fear was of being helpless
in Thanos’ control again.
Rocket’s fear was of losing his
family.
Wanda’s fear was of having to kill
the love of her life in order to save everyone.
Vision’s fear was of his possession
of the Mind Stone allowing Thanos’ mission to be completed.
Thor’s fear was of being unable to
avenge his brother, his best friend, and all of Asgard.
I could go on and on like that, but the
sheer weight of this disaster brought all of us to our knees at once,
and as much as it hurts me (ask my friends; I was sobbing so hard I
had to put my hand over my mouth to keep from disturbing everyone
else) I have to commend them for being able to make us feel something
so powerful for what are fictional characters. It’s an amazing
achievement that it felt as if we were the ones losing loved ones
when we watched Infinity War. It’s one of the reasons we go to the
movies in the first place—to feel something and experience
something we never have before, and I really think that is what
Infinity War delivered. It was an entirely unique movie-going
experience that still reverberates with us a year later.
And it’s why Avengers: Endgame might
be yet another first for us.
Many of us have experienced something
similar with the end of a long running TV show. I personally am old
enough to have seen the live endings to Will & Grace, Castle,
Friends, Frasier, 30 Rock, The Sopranos, and various cartoons. I
believe the closest equivalent in the film world might be the Star
Trek movies, but even then, it’s different because they have always
been an ensemble cast and don’t have individual-centric stories.
It’s going to be the ending of an 11 year journey, and even though
we know several heroes are going to survive and continue on with solo
sequels (Black Panther, Spider-Man, Captain Marvel, Doctor Strange,
Ant Man, Guardians of the Galaxy, and Black Widow are confirmed) or
with the upcoming mini-series on the Disney Plus channel (Falcon and
Winter Soldier, Loki, and Vision & Wanda are confirmed), this is
still possibly the ending of the original Avengers lineup. All we
know for sure is that Endgame is Robert Downey Jr and Chris Evans’
final solo performances of Tony Stark and Steve Rogers. If we’re
really fortunate, their stories end in such a way that we could see
future cameos from them (ex. Steve Rogers in the Spider-Man:
Homecoming end credits) but for all we know, it’s the end for them
and we have to say goodbye.
And I’m not sure that I know how.
The closest equivalent for me is Logan
(2017). Goodness gracious. Talk about gross sobbing. I was an
absolute wreck saying goodbye to Hugh Jackman in his final scene of
Logan. However, now that it’s been two years, and Hugh Jackman is
running around still being utterly adorable and fun in every way, I
have been able to come to grips without my grumpy Canadian badass.
Still, though, Endgame is going to be rough for me because while I
adore Logan to no end, I wasn’t a fan to the degree that I would
actively participate in fandom things related to him, like say
fanfiction or Tumblr.
And that’s not the case with the
Avengers.
I’m a straight up MCU fangirl. I
reblog photosets and engage in silly theories and headcanons and read
and write fics on a weekly basis. The Avengers are an active part of
my life because watching the MCU films is a full blown hobby of mine.
I have never been asked to let go of something that is a part of my
daily life, not since Castle at least, and even then Castle ended so
badly that I had let go of the show two whole seasons before it
actually ended.
So that’s the hardest part of all
with Endgame on its way.
How do you say goodbye?
I don’t know. I just don’t bloody
know.
No matter what ending they choose for
my Avengers, I’m going to be in tears, but I hope and pray that the
Russos continue with their trend of being excellent storytellers and
that they give us a worthy ending for those of the Avengers who will
not continue past Endgame. I cannot control what happens and I will
either make peace with it or reject it for a headcanon so that I can
get to sleep at night (here’s looking at you, Loki; you’re still
alive in my mind, you beautiful trashlord). However, I do feel
encouraged to believe they will give them the endings they deserved
based on what Chris Evans has been allowed to say about his final day
of filming. Chris Evans basically is Captain America. He is
Steve Rogers. And if he felt that Steve was given a great finish to
his run in the MCU, then it’s possible I will be able to let him go
to a certain degree and appreciate the time and care the character
has been given since his introduction.
It’s such a bittersweet place to be,
isn’t it?
If nothing else, I just want to thank
the original Avengers actors for portraying such vibrant, fun, deep,
relatable characters for a whole decade. I mean, that’s so much
dedication, and all of them went above and beyond trying to do the
characters justice. People can debate left and right about the
accuracy or the mythos, but in the end, what I love about the MCU is
that for the most part, every last one of them gives a shit.
It should be a no brainer, but it isn’t in Hollywood. I can name so
many movies or franchises that shit something out just to make money
and have no passion or interest in the product. The people who work
on these films have given them their all and they have left behind
something no one can touch for as long as time exists.
In the end, I suppose that old saying
is the best way to try and prepare for the end: “Don’t cry
because it’s over; smile because it happened.”
You’re damn right I’m gonna cry,
but my hope for Endgame is that I’ll be smiling through my tears.
The third novel in the Of Cinder and Bone series, Of Dawn and Embers, has a cover, blurb, and a release date. See below.
It’s been six months since Dr. Rhett “Jack” Jackson and Dr. Kamala Anjali had their dragon cloning project shut down by the government. Just when they think they’ve gotten their lives back together, an agency within the government hits them with another suckerpunch: a criminal organization has cloned dozens of dragons in order to hold vicious dragon fighting rings. The government recruits Jack and Kamala to help them track down the organization. Jack and Kamala set out to put a stop to the illegal fights before any more dragons die…or worse, escape.